I'm Always Chasing Rainbows Sheet Music Preview

I'm Always Chasing Rainbows: SATB Choral Octavo

Words by Joseph McCarthy, music by Harry Carroll / arr. Carl Strommen

Level: Moderate

Item: 00-PO-0004822

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$2.25

Minimum order quantity: 20 copies

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Description
Carl Strommen brings his superb arranging ability to this delightful new setting of the classic favorite "I'm Always Chasing Rainbows. " An easy to sing, straight-ahead setting!

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Additional Details
Series: Alfred Archive Edition: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 12
SKU: 00-PO-0004822

More about this title

About the Composer: Harry Carroll

Harry Carroll (1892-1954) was an American composer and pianist who specialized in popular songs and theatrical music during the early 20th century. He composed the melody for "I'm Always Chasing Rainbows" in 1918, which became one of his most enduring works and has since been recorded countless times across multiple genres and generations.

Why we love this

Strommen's arrangement strips away unnecessary complexity while preserving the song's infectious optimism and singability. This is exactly what you want at Grade 3: a piece that lets your choir focus on musical phrasing and blend rather than wrestling with demanding voice-leading. The straightforward setting means rehearsal time goes toward musicianship, not note-learning.

What to expect

The piece carries a timeless warmth and gentle hopefulness. Strommen's setting honors the nostalgic quality of the original while keeping the texture light and transparent, allowing the familiar melody to shine without overshadowing the supporting voices.

Who it's for

This arrangement works for any SATB choir at the Grades 3-4 range seeking accessible repertoire with mass appeal. Community choirs, church ensembles, and high school groups will find it equally suitable for concerts, community events, or casual performances.

How to get the most out of it

  • Maintain a gentle lift in the melodic line during the verse sections; resist the urge to drag despite the classic nature of the material.
  • Balance the homophonic passages by having inner voices (alto and tenor) support rather than compete with the soprano line.
  • Use the recorded accompaniment in rehearsals to establish tempo and harmonic foundation before drilling voice parts independently.

How to use it

This pairs beautifully with other standards from the early 20th century or works well as a mid-concert mood-lifter that connects with audiences across age groups. Consider programming it in a pops concert or as a feel-good closer when you want to end on an uplifting note.

Skills your students will build

  • Singing sustained lines with consistent tone quality
  • Balancing melody against harmonic support
  • Interpreting expressive phrasing in familiar material
  • Blending voices in homophonic textures

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