I'm Alive (from Next To Normal) (arr. Mark Brymer): SATB Choral Octavo
By Paul Mealor
Item: 35-PK00481788
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About the Composer: Brian Yorkey Tom Kitt
Brian Yorkey and Tom Kitt are the composer-lyricist team behind Next to Normal, the Tony Award winning rock musical that premiered on Broadway in 2009. Their collaboration brought fresh urgency to musical theater, blending contemporary rock sensibilities with deeply human storytelling about mental illness, family, and resilience. Kitt's compositional voice draws from his background in both classical training and popular music, while Yorkey's lyrics cut straight to emotional truth without sentimentality.
For music educators, their work represents a bridge between the concert hall and contemporary culture. Next to Normal has become essential repertoire in many high school and college programs precisely because it speaks to young people's experiences while maintaining musical sophistication. The songs from this show offer directors access to modern material that students recognize and care about.
Why we love this
Mark Brymer's arrangement captures the song's explosive emotional core while remaining singable for high school voices. The writing balances accessibility with genuine sophistication, giving every section moments that matter without excessive range demands. This is a contemporary showstopper that doesn't require your choir to be Broadway caliber to perform it meaningfully.
What to expect
There's a trembling urgency here, as if the character is discovering something essential and fragile all at once. The music builds from introspection toward something approaching ecstasy, capturing that moment when someone realizes they're truly present and alive. It's tender but never apologetic, hopeful but grounded in real struggle.
Who it's for
High school choirs with solid musicianship and comfort with contemporary idioms will find this piece energizing and attainable. It works equally well for mixed college groups or adult community choirs seeking modern material with theatrical impact. Directors wanting to program something their students actually know and care about will appreciate how this song creates immediate engagement.
How to get the most out of it
- Anchor the piece on the emotional breakthrough rather than technical perfection. The text 'I'm alive' needs to land with genuine conviction; rehearse for commitment over polish.
- Balance the rock influences in Kitt's harmony with the choral blend expected of SATB singing. The arrangement sits between worlds, so lean into rhythmic precision while maintaining vocal warmth.
- Work the dynamics as a group conversation rather than individual parts. The crescendo from vulnerability to joy requires unified commitment across all sections.
How to use it
Pair this with other contemporary vocal music to show your audience that choral singing matters beyond classical traditions. It works as a spring concert highlight or a powerful closer for a show tune themed program. Consider programming it alongside selections from other contemporary musicals to demonstrate how composers are expanding the choral repertoire.
Skills your students will build
- Sustaining emotional storytelling through contemporary pop-influenced harmony
- Balancing rhythmic precision with expressive phrasing in rock idioms
- Navigating dynamic contrast from introspective verses to climactic moments
- Ensemble cohesion across all four parts while maintaining individual vocal line integrity