I Love You Too Much Sheet Music Preview

I Love You Too Much: 3-Part Mixed Choral Octavo

As performed by Paul Williams / As performed by Gustavo Santaolalla / As performed by Diego Luna / Arranged by Mac Huff

Item: 35-DS00302588

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Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS00302588

More about this title

About the Artist: Paul Williams

Paul Williams is an Academy Award-winning composer and lyricist whose career spans five decades of film, television, and popular music. His gift for melody and emotional directness made him a fixture in 1970s and 1980s songwriting, and his compositions continue to resonate across generations. For choral arrangers and educators, his songs offer accessible yet sophisticated material that engages singers through genuine melodic appeal rather than novelty.

Why we love this

Mac Huff's arrangement captures the warmth of the original without overwhelming a three-part mixed ensemble. The voicing sits comfortably for developing singers while maintaining the song's emotional core, making it equally valuable as a concert piece or festival selection.

What to expect

Sincere and unhurried, this arrangement settles into the listener's ear like a well-crafted pop song. The three-part texture creates warmth without density, allowing the lyrical message of affection to land clearly.

Who it's for

Three-part mixed choirs in the middle to upper high school range, as well as adult community and college ensembles seeking contemporary song material. The accessible voicing makes it suitable for singers still developing their blend and intonation skills.

How to get the most out of it

  • Keep the overall texture light and conversational in the opening phrases; this song thrives on intimacy rather than volume.
  • Balance the three parts carefully so that no single line dominates the melody, especially when parts move in parallel.
  • Shape the phrase arcs with attention to the lyrical content; the sentiment drives the phrasing more than strict metric divisions.

How to use it

This works beautifully as a contemporary anchor in a mixed concert program, offering a refreshing alternative to standard show tunes. It also fits seamlessly into festival competitions where accessible, well-crafted modern arrangements score well with adjudicators.

Skills your students will build

  • Balancing three independent melodic lines
  • Maintaining phrase continuity across ensemble passages
  • Stylistic flexibility in contemporary arrangementstext setting

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