I Love You This Big: TBB Choral Octavo
As performed by Scotty McCreery
Words and music by Ronnie Jackson, Brett James, Ester Dean, and Jay Smith [Scotty McCreery] / arr. Jay Althouse
Item: 00-PO-0001283
Minimum order quantity: 20 copies
One moment…
Description
I Love You This Big: TBB Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
Why we love this
Country repertoire for treble choirs is still rare at this level, and this octavo brings genuine chart success into the rehearsal room. The arrangement honors the original's accessibility while giving singers a contemporary song that actually matters to them, which shifts the energy of rehearsals in real ways.
What to expect
Warm and earnest, with the conversational directness of country storytelling. The arrangement preserves the original's youthful sincerity while giving your ensemble room to shape phrases naturally, creating something that feels genuine rather than produced.
Who it's for
Treble choirs looking to expand their contemporary secular repertoire with music that resonates with student singers. Directors seeking accessible arrangements of songs with real radio presence and cultural relevance.
How to get the most out of it
- Balance the lead line across your top voices so the melody sits clearly above the harmony; the country idiom depends on listeners hearing what Scotty made famous.
- Let the rhythm section drive the feel. Country grooves live in the pocket, not in strict metronomic precision, so your accompaniment track is your best guide for authentic phrasing.
- Lighten your tone in the upper range to match the bright, youthful character of the original. Heavy vibrato will work against the song's straightforward charm.
- Lean into the lyrical simplicity. This isn't a piece that benefits from oversinging; the emotional directness is what lands.
How to use it
Perfect for a spring concert that bridges classical and contemporary repertoire, or as a standalone secular number in a mixed concert. This works equally well as a confidence-builder early in the season or as a crowd-pleaser closer once the piece is performance-ready.
Skills your students will build
- Singing with contemporary country phrasing and rhythmic flexibility
- Balancing melody and harmony across changing voicing patterns
- Interpreting secular popular music with musical sincerity
- Coordinating with recorded accompaniment in a non-classical style