I Love To Tell The Story Sheet Music Preview

I Love To Tell The Story: SATB Choral Octavo

Arranged by Keith Christopher

Item: 35-DS00297097

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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS00297097

More about this title

About the Arranger: Keith Christopher

Keith Christopher

Keith Christopher has shaped contemporary sacred music for three decades, earning ASCAP recognition annually since 1992 for his prolific output across choral, band, and orchestral idioms. His accolades include a Gold Record Award for The Dallas Brass's "A Merry Christmas with Brass" and a Dove Award for the choral collection More Songs for Praise and Worship, reflecting his deep roots in both commercial and faith-based music production.

Based in Nashville, Christopher has placed hundreds of compositions with major publishers and overseen production on more than a thousand recordings. His work spans from concert arrangements to children's literature, including the Christmas story book The First Christmas Night, demonstrating a gift for making music accessible across age groups and performance contexts.

Why we love this

Christopher brings a songwriter's sensibility to this beloved hymn, crafting an arrangement that honors the tune's singability while adding harmonic warmth and subtle textural details. The piece sits comfortably for standard SATB voices, making it practical for mixed choirs of varying skill levels who want to program something meaningful without excessive technical demands.

What to expect

Warmth and conviction radiate from this arrangement, which captures the hymn's intent to bear witness and share faith. The SATB textures create intimate moments of reflection while never losing sight of the tune's inherent strength and directness.

Who it's for

Worship leaders and choir directors programming Sunday services, special events, or rehearsals focused on hymn literature and sacred music. This arrangement works equally well for community choirs, school choral programs with mixed abilities, and small ensembles seeking accessible yet well-crafted material.

How to get the most out of it

  • Balance the melody line so it emerges clearly without drowning out inner voices; Christopher's arrangement thrives when listeners can follow the story being told.
  • Shape the phrase endings with slight breath space and dynamic tapering rather than abrupt cutoffs, letting the hymn's narrative arc breathe naturally.
  • Encourage soloists or a small ensemble to take the opening verse before bringing in full SATB, which heightens the storytelling quality and draws listeners in from the start.

How to use it

Anchor a hymn-focused concert segment or place it as a meaningful standalone anthem within a service of lessons and carols. Its familiar melody and nine-page length make it ideal for a fall or spring program where you want to include traditional repertoire that audiences recognize and cherish.

Skills your students will build

  • singing in tune within four-part SATB texture
  • sustaining legato phrasing across longer phrases
  • balancing ensemble blend while maintaining clarity of individual parts
  • interpreting hymn-style music with appropriate reverence and care

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