I Love Rock 'n' Roll Medley: 2-Part Choral Octavo
I Love Rock 'n' Roll Medley Sheet Music Preview

I Love Rock 'n' Roll Medley: 2-Part Choral Octavo

As performed by Jake Hooker / As performed by Alan Merrill / As performed by George Jackson / As performed by Jimmy DeKnight / As performed by Max C. Freedman / As performed by Joan Jett The Blackhearts / As performed by Thomas E. Jones III / Arranged by Greg Gilpin

Item: 35-DS00324407
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Description

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00324407

More about this title

Why we love this

Greg Gilpin's arrangement captures the swagger and energy of this rock anthem while keeping the vocal writing accessible for developing singers. The 2-part voicing lets you build ensemble blend without sacrificing the song's unmistakable attitude, and students genuinely want to sing it.

What to expect

Immediate, infectious, and fun. The medley format lets you hit multiple hooks across an 11-page arrangement that never overstays its welcome, and the 2-part texture keeps things singable while the rock idiom keeps things exciting.

Who it's for

Choirs building energy and confidence with material their students actually care about. This works for middle school through adult ensembles looking for a crowd-pleasing concert closer.

How to get the most out of it

  • Establish a solid rock groove in your rehearsals before polishing blend. A locked rhythm section makes everything else fall into place.
  • Pay attention to where Gilpin splits the parts for contrast. Those moments of unison punch harder when the ensemble understands the architecture.
  • Lean into the attitude without oversinging. Rock 'n' roll medleys live in confidence and clarity, not volume.

How to use it

Perfect for a spring concert finale or holiday show where you want to send the audience out energized. It also pairs well on programs mixing classical and contemporary repertoire, signaling that your choir has range and personality.

Skills your students will build

  • Maintaining consistent pulse and groove across a medley structure
  • Blending within a rock aesthetic (different technique than art song)
  • Part independence in 2-part voicing without sacrificing ensemble sound
  • Articulation and phrasing for pop/rock idiom

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