I Love A Piano Sheet Music Preview

I Love A Piano: 3-Part Mixed Choral Octavo

As performed by Irving Berlin / Arranged by John Purifoy

Item: 35-DS00263535

Digital Download
$2.99
Description

I Love A Piano: 3-Part Mixed Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00263535

More about this title

About the Artist: Irving Berlin

Irving Berlin (1888-1989) stands as one of American popular music's most prolific and influential songwriters. His catalog spans nearly a century of hits, from ragtime and jazz-inflected songs to standards that defined Broadway and film musicals. Berlin composed over 1,000 songs without formal training in music theory, relying instead on instinct, ear, and an almost supernatural gift for melody that transcended genre and generation.

For music educators, Berlin's work offers immediate access to American songwriting at its peak. His melodies are singable and memorable; his harmonic choices are sophisticated yet never opaque. "I Love A Piano" exemplifies his ability to craft earworms that also reward thoughtful interpretation, making his arrangements ideal vehicles for choral development and audience connection.

Why we love this

Purifoy's three-part treatment preserves all the charm of Berlin's original while solving a real programming challenge: finding upbeat, feel-good repertoire that doesn't talk down to your singers or bore the audience. The arrangement sits comfortably for mixed ensembles and trades Berlin's infectious optimism without requiring a pit orchestra or technical wizardry.

What to expect

Effervescent and joyful without saccharine oversell. The piece radiates the optimism of early 20th-century songwriting, with enough harmonic color to keep singers engaged through multiple verses. There's a lightness here that invites both playfulness and genuine affection for the material.

Who it's for

Mixed choirs with solid fundamental skills and an appetite for American standards. The piece works equally well for school choirs seeking accessible concert material and community groups looking to build morale and audience warmth.

How to get the most out of it

  • Emphasize the rhythmic energy in the accompaniment; this piece lives in its forward motion, so avoid dragging phrase endings even when the text invites a softer approach.
  • Balance the three parts so that no single voice dominates the melody; the sectional writing here creates opportunities for independence that should feel intentional, not accidental.
  • Shape phrases around the text rather than bar lines. Berlin's lyric underlay begs for natural speech rhythms, which will prevent the piece from feeling mechanical.

How to use it

Slot this into a pops or American songbook concert where it can anchor a set of familiar standards. It also makes an excellent closer for a lighter program, sending the audience out with the exact spirit Berlin intended. The 10-page length and straightforward arrangement mean rehearsal time stays reasonable even with a full concert load.

Skills your students will build

  • Balancing three independent lines while maintaining harmonic cohesion
  • Sustaining rhythmic precision in syncopated accompaniment patterns
  • Shaping legit phrasing over jazz-inflected harmonic movement
  • Clarity and articulation in rapid text delivery

You May Also Like