I'll Have To Say I Love You In A Song (from The Daily Ukulele) (arr. Jim Beloff) Sheet Music Preview

I'll Have To Say I Love You In A Song (from The Daily Ukulele) (arr. Jim Beloff): Ukulele

As performed by Jim Croce / Arranged by Jim Beloff

Item: 35-DS01530569

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Additional Details
Publisher: Hal Leonard
Page Count: 1
SKU: 35-DS01530569

More about this title

About the Artist: Jim Croce

Jim Croce became a defining voice of 1970s singer-songwriter pop rock with his conversational lyrics and fingerpicked acoustic guitar style. His catalog, though cut short by his death in 1973, includes some of the era's most enduring songs: "Operator (That's Not the Way It Works)," "Bad Bad Leroy Brown," and "Time in a Bottle." For ukulele players and music educators, Croce's work offers accessible melodies paired with emotionally direct songwriting that resonates across generations.

This arrangement by Jim Beloff appears in The Daily Ukulele, a collection designed to make iconic pop and folk songs playable on four strings. Beloff's adaptations preserve the essence of each original while fitting the ukulele's range and character, making familiar material feel freshly approachable for players of intermediate ability.

Why we love this

This song cuts through the noise with sincerity; Croce's direct approach to expressing emotion feels genuine rather than sentimental, which keeps students engaged both emotionally and musically. Beloff's arrangement honors the original's intimacy while giving ukulele players a satisfying fingerpicking pattern and harmonic movement that holds their attention without requiring advanced technique.

What to expect

Warm, unguarded, and honest. The melody sits in a conversational register with enough harmonic movement to feel musically substantial without overwhelming the listener. There's a gentle earnestness throughout that rewards players who resist the urge to overplay.

Who it's for

Intermediate ukulele students who want to expand beyond traditional Hawaiian repertoire into singer-songwriter material. Teachers looking for a one-page arrangement that builds fingerpicking confidence while keeping students emotionally invested in what they're playing.

How to get the most out of it

  • Nail the timing of the lyrical phrasing before focusing on technical smoothness; the conversational rhythm of the melody needs space to breathe.
  • Let the fingerpicking pattern settle into a groove rather than rushing it. Even at moderate tempo, clarity matters more than speed.
  • Balance the vocal line so lyrics remain conversational and intimate, not belted. This song works best when it feels like you're singing to someone across the room.

How to use it

Use this in a concert exploring how pop songwriting translates across instruments, pairing it with other Croce songs in different arrangements or with similar-era material. A single-piece performance works beautifully in intimate settings; its brevity and emotional clarity make it an excellent opener or closer for an informal recital.

Skills your students will build

  • Fingerpicking patterns with consistent rhythmic feel across changing chord progressions
  • Maintaining melodic clarity while managing accompaniment texture
  • Phrasing lyrics musically without sacrificing natural speech rhythm
  • Voicing movement between basic and extended seventh chords on ukulele
  • Sustaining listener engagement over a single-page arrangement

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