I'll Be There (arr. Roger Emerson) Sheet Music Preview

I'll Be There (arr. Roger Emerson): 2-Part Choral Octavo

By Bob West / By Hal Davis / By Berry Gordy / By Willie Hutch / As performed by The Jackson 5 / As performed by Michael Jackson / Arranged by Roger Emerson

Item: 35-DS00138270

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00138270

More about this title

Why we love this

Roger Emerson's arrangement distills this Jackson 5 classic into something your singers can genuinely own. The 2-part writing keeps the melody front and center while creating enough harmonic interest to feel rewarding, and the arrangement respects the song's emotional core without oversimplifying it.

What to expect

Warm and reassuring. This arrangement carries the original's sense of unconditional support and devotion, wrapped in melodies that stick with listeners. There's an earnestness here that distinguishes it from slicker pop arrangements.

Who it's for

Choirs with developing singers who benefit from accessible part writing and straightforward pedagogy. The 2-part texture works well for mixed age ensembles or treble choirs looking to program something meaningful without overwhelming technical demands.

How to get the most out of it

  • Keep the tempo conversational rather than rushed; let the lyrics breathe and the message land. Slow tempos often reveal where your singers need to lock in rhythmically.
  • Balance the parts so both lines are heard equally. In pop arrangements, the tendency is to bury the second part, but this writing deserves clarity from both voices.
  • Layer in light dynamics throughout to match the emotional arc of the text. The song's sincerity demands more than a flat, uniform approach.

How to use it

Pair this with other soul or pop standards in a concert celebrating music that bridges generations. It also works beautifully as a closer for a show about resilience or community, where its message of steadfast presence lands with full weight.

Skills your students will build

  • Singing with lyrical phrasing in a contemporary idiom
  • Balancing part independence while maintaining harmonic cohesion
  • Interpreting text with emotional authenticity rather than vocal display
  • Managing rhythm in syncopated, conversational contexts

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