I'll Be Seeing You (arr. Kirby Shaw): Choral Instrumental Pak
As performed by Sammy Fain / Arranged by Kirby Shaw
Item: 35-PK00437463
$20.00
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
Parts Added to Cart!
Description
This American standard song has been covered by countless iconic singers including Bing Crosby and Frank Sinatra. It is a standard among vocal jazz ensembles from Lambert Hendricks and Ross to the New York Voices. Here is a fresh arrangement from a master jazz arranger.
I'll Be Seeing You (arr. Kirby Shaw): Choral Instrumental Pak isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Request This Title
Tell us you want it.
Start Your Free Trial
Explore everything that's ready to play right now.
Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00437463
More about this title
About the Artist: Sammy Fain
Sammy Fain (1902-1989) was a prolific songwriter and composer who shaped the American songbook across seven decades. His gift for melody produced standards that remain central to jazz and pop repertoires, including "I'll Be Seeing You," "Love Is a Many Splendored Thing," and "That Old Black Magic."
Fain's compositions have attracted interpreters across every vocal idiom. His work demonstrates the craft of songwriting that rewards repeated listening: harmonies that invite reharmonization, melodies that sit naturally in the voice, and lyrical content that deepens with familiarity. For choral directors, his standards offer immediate accessibility paired with genuine musical substance.
Why we love this
Kirby Shaw's arrangement brings out the intimate warmth of this standard while respecting its essential character. The piece sits naturally for singers and builds a natural arc that feels earned rather than manufactured, making it rewarding to rehearse and genuinely moving in performance.
What to expect
Bittersweet and nostalgic without sentimentality. The arrangement invites singers into an intimate space where the lyric's yearning comes through naturally, supported by understated harmonic color that deepens the emotional landscape.
Who it's for
Jazz choirs and pop ensembles looking for a sophisticated standard that doesn't require extensive vocal range. Singers already familiar with this tune's iconic recordings will appreciate performing an arrangement that honors the original while creating space for genuine musicianship.
How to get the most out of it
- Approach the tempo as a gentle medium swing rather than a ballad. The groove should feel effortless and unhurried, never dragging.
- Balance the vocal blend so that the melody emerges clearly without the supporting voices disappearing. This standard lives or dies by listener connection to the tune.
- Let the rhythm section lock in first during sectional rehearsals. Once the accompaniment feels settled and groovy, the ensemble voices will find their pocket naturally.
- Shape the phrase endings with a light lift rather than a full stop. This keeps the reflective mood alive across the entire form.
How to use it
Place this as a concert closer or anchor a set of standards that trace American popular song. It pairs beautifully with other vintage vocal jazz favorites and works equally well as a showcase solo piece featuring your strongest vocalist alongside ensemble support.
Skills your students will build
- Singing in a swing style with proper rhythmic interpretation
- Balancing melody prominence against harmonic support voices
- Responding to jazz accompaniment and locking into groove
- Shaping long vocal phrases with appropriate jazz inflection
- Interpreting lyrics with emotional authenticity