I Hear The Drum Sheet Music Preview

I Hear The Drum: SATB Choral Octavo

By Cedric Dent / By Cedric Dent, Jr.

Item: 35-DS01299810

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Additional Details
Publisher: Hal Leonard
Page Count: 19
SKU: 35-DS01299810

More about this title

Why we love this

Dent crafts a piece that sits comfortably in the rehearsal sweet spot for mixed choirs: accessible enough to learn quickly, but with enough textural and rhythmic interest to keep singers engaged. The writing feels contemporary without demanding extended techniques, making it an ideal choice for choirs seeking substance without struggle.

What to expect

The pulse of percussion frames a choral landscape that feels both grounded and alive. Voices move around that steady drumbeat with rhythmic clarity and forward motion, creating an energy that's propulsive without becoming exhausting.

Who it's for

Concert choirs at the intermediate level looking for a secular piece with rhythmic vitality and modern appeal. This works equally well for high school and adult community ensembles seeking repertoire that connects with contemporary audiences.

How to get the most out of it

  • Establish the rhythmic foundation early in rehearsals by isolating the drum pattern with your rhythm section or percussion. This becomes the heartbeat that anchors the other voices.
  • Work through blend in the section parts separately before bringing them together. SATB balance matters here, especially where thinner textures might expose weak passaggio singing.
  • Record a rough mix during rehearsal and share it with your singers. Hearing themselves in the fuller context helps them lock into intonation and their individual line's role in the arrangement.

How to use it

Consider pairing this with other pieces that share its percussive or rhythmic foundation for a thematic concert section. It also works as a strong closer on a concert, provided your final group isn't one where the additional percussion and energetic character would feel out of place.

Skills your students will build

  • Rhythmic precision and independence from the steady pulse
  • Blend and balance in contemporary harmonic language
  • Singing with text clarity over rhythmic accompaniment
  • Responding to and integrating percussion instruments in live performance

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