I Have A Shelter Sheet Music Preview

I Have A Shelter: SATB Choral Octavo

By Steve Cook / By Vikki Cook / By Bob Kauflin / Arranged by Richard Kingsmore

Item: 35-DS00153053

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Additional Details
Publisher: Hal Leonard
Page Count: 7
SKU: 35-DS00153053

More about this title

Why we love this

Richard Kingsmore's arrangement captures the intimate conviction of this modern hymn text without overselling it. The SATB voicing sits comfortably across all four parts, making it accessible for volunteer choirs and still rewarding for more experienced singers. This is the kind of piece that reminds congregations why they gather.

What to expect

A warm affirmation wrapped in modern harmony. The arrangement feels grounded and honest rather than theatrical, with enough musical substance to hold the listener's attention while keeping focus on what the words communicate.

Who it's for

Any SATB choir looking for a contemporary sacred piece with genuine theological weight and straightforward musical demands. This works equally well for church services, concert programs, and worship settings where the text matters as much as the tune.

How to get the most out of it

  • Pay attention to the text first. This hymn's power lives in its theological clarity, so phrase as you would speak the words with conviction rather than musical phrasing alone.
  • Balance the parts so the melody remains distinct without drowning out the harmonic foundation. Sopranos will naturally want to push; keep them integrated with the altos' counterpoint.
  • When the full choir enters after any solo or reduced passages, bring the dynamic up gradually to avoid a jarring shift.

How to use it

Pair this with traditional hymns to bridge contemporary and classic worship styles, or use it as a closing piece when you want something that sends singers and listeners out with a clear, confident message. At seven pages, it fits naturally into a mixed concert without demanding a full suite of programming time.

Skills your students will build

  • Balancing melody against supporting harmonic textures
  • Shaping phrases according to text meaning rather than melodic contour alone
  • Singing sustained harmony parts with independence and support

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