I Have A Dream (arr. Rick Hein) Sheet Music Preview

I Have A Dream (arr. Rick Hein): 2-Part Choral Octavo

As performed by ABBA / Arranged by Rick Hein

Item: 35-DS00127143

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Additional Details
Publisher: Hal Leonard
Page Count: 5
SKU: 35-DS00127143

More about this title

About the Artist: ABBA

ABBA emerged from Sweden in the 1970s to become one of the most commercially successful pop acts in history. Their catalog is defined by infectious melodies, sophisticated harmonic arrangements, and production techniques that remain remarkably fresh decades later. For choral directors, ABBA's work offers genuine musical substance beneath its popular appeal; these songs have endured precisely because they are well-written.

The band's influence on contemporary music education is substantial. Teachers increasingly recognize ABBA's arrangements as legitimate teaching tools for developing vocal control, harmonic awareness, and student engagement with contemporary repertoire. Their songs bridge the gap between pop culture and serious musicianship.

Why we love this

Rick Hein's arrangement honors the original's melodic and harmonic strength while making it genuinely singable for young voices. A 2-part voicing of this song preserves the emotional weight of the piece without overwhelming singers who are still building range and stamina. Your students will connect immediately with material they recognize, and you'll have their attention from the first phrase.

What to expect

The piece carries the earnestness of ABBA's original while gaining intimacy through its reduced voicing. Singing this arrangement creates a moment of genuine connection, blending the song's hopeful message with the particular vulnerability of young voices singing in parts.

Who it's for

Middle school and high school choirs with mixed voices will find this accessible and rewarding. The 2-part texture makes it suitable for less experienced ensembles while remaining engaging enough for more advanced groups who want contemporary repertoire in their rotation.

How to get the most out of it

  • The main hook demands crisp diction and a consistent legit tone. Work the vowel shapes in the signature melodic phrase so every student locks the pitch and articulation together.
  • Let the harmonic progression breathe. ABBA's writing relies on clear voice leading; mark when singers need to listen across parts rather than just tracking their own line.
  • Balance the two parts so the melody sits clearly without overwhelming the accompaniment line. This arrangement likely features one part carrying more responsibility, so rehearsal planning should reflect that.

How to use it

This works beautifully as an opener or closer for a concert focused on contemporary music, or as a bridge piece between classical and pop repertoire. Consider pairing it with other accessible pop arrangements to build a thematic set around hope, unity, or social consciousness. It's also strong material for spring concerts when students are more confident with their musicianship.

Skills your students will build

  • Balancing melody and accompaniment lines in 2-part texture
  • Sustaining legit tone across a contemporary pop arrangement
  • Melodic precision and rhythmic consistency in accessible, recognizable material
  • Part independence while maintaining harmonic blend

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