I Hate Music (arr. Robert Page) Sheet Music Preview

I Hate Music (arr. Robert Page): SSA Choral Octavo

As performed by Leonard Bernstein / Arranged by Robert Page

Item: 35-DS00305313

Digital Download
$3.95
Description

I Hate Music (arr. Robert Page): SSA Choral Octavo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Hal Leonard
Page Count: 17
SKU: 35-DS00305313

More about this title

About the Artist: Leonard Bernstein

Leonard Bernstein (1918–1990) was an American conductor, composer, and educator who fundamentally shaped American musical life. Beyond his legendary tenure with the New York Philharmonic, he created an extraordinary body of concert music, theater works, and film scores that combined rigorous compositional craft with infectious lyricism and emotional directness. His pedagogical gifts were as significant as his artistry; his Young People's Concerts introduced millions of viewers to classical music with clarity and infectious enthusiasm.

Bernstein's choral writing captures the full spectrum of human expression, from comedy to profound lyricism. He understood voices intimately and wrote for them with unflinching honesty about what singers could accomplish. His arrangements and original works for choir remain performance staples because they honor both the music and the performers.

Why we love this

Robert Page's arrangement captures Bernstein's sardonic humor and harmonic sophistication in a version that sits perfectly in the high school or college SSA/SSAA range. The piece delivers satirical bite without sacrificing musicality; singers engage with clever text setting and unexpected harmonic turns that reward careful listening and skilled execution.

What to expect

Tart, theatrical, and unapologetically honest. The music balances moments of genuine lyricism with pointed social commentary, delivered with the urbanity of a cabaret number and the craft of concert music. It feels like listening to a witty friend say something true and slightly scandalous.

Who it's for

This arrangement works well for advanced high school choirs and college ensembles with solid blend and musicianship. It suits groups that enjoy repertoire with wit and sophistication and are comfortable with Bernstein's harmonic language.

How to get the most out of it

  • Lean into the irony of the text. Bernstein's title is deliberately provocative, and the music should feel conversational and pointed rather than melodramatic.
  • Balance clarity in the ensemble writing with flexibility in phrase shaping; the piece needs rhythmic precision and room for expressive breath.
  • Shape dynamic contrasts deliberately. Small changes in volume create humor and maintain listener engagement through a piece built on attitude rather than dramatic climax.

How to use it

Pair this with other American concert choral works to build a program celebrating twentieth-century vernacular sophistication. It works particularly well as a closer or as part of a set exploring humor and satire in classical music. The piece justifies itself both musically and contextually on a concert of modernist American choral writing.

Skills your students will build

  • Singing sustained legit lines with clarity and forward motion
  • Tracking independent harmonic movement and functional harmony in contemporary idioms
  • Interpreting text with dramatic intent and comedic precision
  • Maintaining rhythmic integrity while shaping phrases expressively
  • Balancing ensemble blend with individual vocal line clarity

You May Also Like