<i>Harry Potter and the Deathly Hallows, Part 2,</i> Suite from Cover Image

<i>Harry Potter and the Deathly Hallows, Part 2,</i> Suite from: Full Orchestra Conductor Score

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<i>Harry Potter and the Deathly Hallows, Part 2,</i> Suite from Cover Image

Harry Potter and the Deathly Hallows, Part 2, Suite from: Full Orchestra Conductor Score

Featuring: Lily’s Theme / Underworld / Dragon Flight / Neville / A New Headmaster / The Resurrection Stone / Showdown / A New Beginning with Hedwig's Theme

By Alexandre Desplat and John Williams / arr. Jerry Brubaker

Grade: 4

Item: 00-38455S

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Description
Perfect for advanced and community orchestras, this lovely piece commemorates the conclusion to the timeless Harry Potter movies in a dramatic way. The harp sets the tone! Share the emotions and drama from the stage!

For educational usage/non-profit performances only; for professional arrangements, visit our rental library at alfred.com/rental.

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Additional Details
Series: Pop Concert Full Orchestra
Publisher: Alfred Music
Page Count: 28
UPC: 038081430454
SKU: 00-38455S

More about this title

About the Composer: Alexandre Desplat

Alexandre Desplat has become one of the most prolific and accomplished film composers of the 21st century, with a gift for creating memorable themes that enhance narrative without overwhelming it. His work on the final Harry Potter films demonstrates his mastery of orchestration and his ability to balance grandeur with intimacy, qualities that have made him a favorite among conductors and orchestras.

Why we love this

This arrangement captures the sweep and emotional weight of the film's conclusion without requiring the massive forces of a Hollywood orchestra. Brubaker's orchestration respects Desplat's intentions while making the piece accessible for advanced community ensembles, and the harp's prominent role gives you a distinctive sonic fingerprint that audiences will recognize immediately.

What to expect

Sweeping and momentous, with an underlying current of reflection and closure. The harp's presence lends a touch of magic and vulnerability to moments that could otherwise feel purely bombastic, creating space for both grandeur and intimacy within a single work.

Who it's for

Advanced and community orchestras seeking repertoire that connects with audiences through familiar melodies while offering genuine musical substance. This works equally well for groups looking to program a single standout pop concert piece or those building a full evening around film music.

How to get the most out of it

  • Balance the harp accompaniment so it underpins the melodic material without drowning out strings; this is the glue that holds the emotional core together.
  • Give the brass time to breathe during softer passages; the drama works best when you're not always at full volume.
  • Attend carefully to dynamic transitions, which often happen gradually rather than at downbeats, so your sections move together as one unit.

How to use it

This functions beautifully as a concert finale when you want to send audiences out on a note of triumph and wonder. It also pairs naturally with other film music or concert suites, allowing you to build a thematic program around storytelling and cinema.

Skills your students will build

  • Balancing multiple melodic lines across sections
  • Executing dynamic control in romantic and dramatic passages
  • Coordinating ensemble transitions in moderately complex orchestrations
  • Responding to the harp as both harmonic anchor and textural voice

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