<i>Harry Potter and the Deathly Hallows, Part 2,</i> Selections from Cover Image

<i>Harry Potter and the Deathly Hallows, Part 2,</i> Selections from: Full Orchestra Conductor Score & Parts

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<i>Harry Potter and the Deathly Hallows, Part 2,</i> Selections from Cover Image

Harry Potter and the Deathly Hallows, Part 2, Selections from: Full Orchestra Conductor Score & Parts

Featuring: Lily's Theme / A New Headmaster / Statues / Voldemort's End / A New Beginning (with Hedwig's Theme)

By Alexandre Desplat and John Williams / arr. Douglas E. Wagner

Grade: 3

Item: 00-38438

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Description
Six key selections from this brilliant score are presented in a solidly scored, emotion-packed arrangement that is designed to flatter your players and please any audience, young or old. Relive the dramatic conclusion to the fabulous Harry Potter saga! Playable by strings alone or any combination of winds.

For educational usage/non-profit performances only; for professional arrangements, visit our rental library at alfred.com/rental.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Harry Potter and the Deathly Hallows, Part 2, Selections from: Full Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Pop Intermediate String/Full Orchestra
Publisher: Alfred Music
Page Count: 244
UPC: 038081430362
SKU: 00-38438

More about this title

About the Composer: Alexandre Desplat

Alexandre Desplat has become one of film's most distinctive orchestral voices, earning multiple Academy Award nominations for his work across major franchises. His scores blend classical sensibility with contemporary orchestration, creating music that serves both narrative and concert performance equally well.

Why we love this

Wagner's arrangement captures the sweep and emotional intensity of Desplat's original score while respecting Grade 3 ensemble capabilities. The six selections hit the narrative peaks audiences remember, and the flexible instrumentation means you can perform this with your available players without compromising the sound.

What to expect

Orchestral storytelling unfolds through dramatic crescendos, intimate string passages, and sweeping harmonic landscapes. The writing captures both the gravitas of the source material and moments of genuine tenderness, creating an arc that feels complete in itself rather than fragmentary.

Who it's for

Orchestra directors seeking concert-ready arrangements of recognizable, engaging material for Grade 3 ensembles. Young players respond powerfully to film scores they know, and this collection offers substantial musical substance beneath its accessibility.

How to get the most out of it

  • Balance the melody prominently in whichever section carries it; the arrangement supports strategic doublings that let you adjust sound weight between strings and winds depending on what you have available.
  • Attend to Desplat's trademark harmonic shifts carefully, as they define the emotional turns in each selection. These moments need clean ensemble intonation to land their full impact.
  • Use the conductor score to shape phrase architecture across longer selections. Desplat builds tension through gradual intensification, which requires disciplined control of dynamics and tempo consistency.
  • If performing strings alone, ensure lower strings maintain independence from the cello line; the bass motion often carries harmonic interest that can disappear in a murky blend.

How to use it

These selections work beautifully as a unified suite in a spring or year-end concert, offering dramatic range and thematic coherence that rewards consecutive performance. They also pair well with other Grade 3 popular arrangements if you're building a film music concert.

Skills your students will build

  • Sustaining harmonic context through longer phrases
  • Responding to orchestral color changes and sectional balance shifts
  • Reading and executing dramatic dynamic contrasts
  • Maintaining ensemble coherence when strings perform without wind doubling
  • Executing the articulation and phrasing conventions of contemporary orchestral writing

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