I Gotta Feeling: Marching Band Conductor Score & Parts
By Will Adams / By Jaime Gomez / By Allan Pineda / By Stacy Ferguson / By David Guetta / By Frederic Riesterer / As performed by The Black Eyed Peas / Arranged by Paul Murtha
Grade: 2-3
Item: 35-PK00134075
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| I Gotta Feeling - Full Score | $8.00 | |
| I Gotta Feeling - Flute/Piccolo | $6.00 | |
| I Gotta Feeling - Bb Clarinet | $6.00 | |
| I Gotta Feeling - Eb Alto Sax | $6.00 | |
| I Gotta Feeling - Bb Tenor Sax | $6.00 | |
| I Gotta Feeling - Eb Baritone Sax | $6.00 | |
| I Gotta Feeling - 1st Bb Trumpet | $6.00 | |
| I Gotta Feeling - 2nd Bb Trumpet | $6.00 | |
| I Gotta Feeling - 3rd Bb Trumpet | $6.00 | |
| I Gotta Feeling - F Horn | $6.00 | |
| I Gotta Feeling - Bb Horn/Flugelhorn | $6.00 | |
| I Gotta Feeling - Trombone | $6.00 | |
| I Gotta Feeling - Baritone B.C. (Opt. Tbn. 2) | $6.00 | |
| I Gotta Feeling - Baritone T.C. | $6.00 | |
| I Gotta Feeling - Tuba | $6.00 | |
| I Gotta Feeling - Electric Bass | $6.00 | |
| I Gotta Feeling - Bells/Xylophone | $6.00 | |
| I Gotta Feeling - Snare Drum | $6.00 | |
| I Gotta Feeling - Cymbals | $6.00 | |
| I Gotta Feeling - Quad Toms | $6.00 | |
| I Gotta Feeling - Multiple Bass Drums | $6.00 | |
| I Gotta Feeling - Aux Percussion | $6.00 |
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Description
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More about this title
About the Composer: Will Adams
Will Adams is a founding member of The Black Eyed Peas and has been central to the group's evolution from West Coast hip-hop pioneers to global pop phenomenon. His production sensibility and ear for infectious hooks shaped some of the 2000s' most recognizable tracks, including the massive success of "The E.N.D." era.
Why we love this
Paul Murtha's arrangement captures the relentless energy and pop sensibility of the original without sacrificing the driving momentum that makes this song impossible to ignore. At grades 2-3, it's accessible enough for developing ensembles but maintains enough sophistication to keep players engaged and audiences on their feet.
What to expect
Propulsive and infectious, with enough melodic simplicity to feel immediately familiar yet arranged with enough color to sustain listener interest. The energy builds deliberately rather than exploding all at once, giving your visual design room to breathe and grow.
Who it's for
Marching bands looking to connect with audiences through contemporary hit music without sacrificing musicianship. This works especially well for programs aiming to build excitement around a competitive season or showcase what modern marching band can do.
How to get the most out of it
- Nail the rhythmic precision in the opening sections. This song lives and dies by groove, so lock the kick drum with the bass line before layering anything else.
- Keep the dynamics controlled through the sustained passages. The tendency will be to punch every note, but the original track's power comes from restraint and contrast.
- Let the front ensemble shine during the rhythmic hits. These moments are where the drill design and music converge, so give them the space and confidence they need.
How to use it
Open a show or finale with this to guarantee crowd engagement and create a sharp contrast against ballads or more complex arrangements elsewhere on the program. It also serves as an excellent vehicle for teaching rhythmic clarity and cohesion across a young ensemble.
Skills your students will build
- Maintaining locked unison in syncopated rhythmic figures
- Balancing clarity and blend in fast-moving pop idioms
- Reading parts that layer independent rhythmic motifs
- Responding to visual design changes while sustaining musical momentum