I Got You (I Feel Good): SATB Choral Octavo

Deke Sharon's arrangement captures the infectious optimism of this classic without sacrificing the rhythmic precision that makes it work. The energy here is contagious but entirely achievable for high school through adult choirs, and it's the kind of song that reminds audiences why they love to sing together.

Pure joy distilled into four parts. There's a swagger here, a confidence that comes from everyone singing the same groove, and the kind of infectious optimism that lifts an entire concert.

High school and college choirs looking for secular repertoire that energizes audiences and builds rhythmic ensemble skills. This works equally well for show choirs, concert choirs, and a cappella groups seeking authentic funk and soul material.

• Nail the rhythmic unison at the beginning. The strength of this piece lives in the group locking together, so spend rehearsal time building precision around the main hook before layering in harmony.
• Shape the phrase "I got you" with intention each time it appears. Slight dynamic swells and articulation consistency transform a hook into a statement.
• Keep the energy forward without letting the tempo slip. A cappella performances need active, engaged singing to maintain momentum, especially in a song built on groove.

Open a pop or contemporary set with this, or use it as a mood shifter mid-concert when energy begins to dip. It pairs naturally with other soul and R&B arrangements and works as a crowd pleaser on concerts where you're mixing classical and popular repertoire.

• Rhythmic precision and groove locking in a cappella settings
• Stylistic authenticity in funk and soul idioms
• Articulation control and clarity within ensemble texture
• Dynamic shaping and phrasing of repeated hooks
• Ensemble blend with strong rhythmic independence