I Got the Feelin': Marching Band Conductor Score & Parts
As performed by James Brown / Arranged by Paul Murtha
Grade: 3
Item: 35-PK00307900
$55.00
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Description
One of the signature tunes from the "Godfather of Soul" is this funky classic from 1968. Since then it has remained popular with recording artists and in pop culture. Great possibilities for dance groups.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00307900
More about this title
About the Artist: James Brown
James Brown earned his place in music history as the Godfather of Soul, pioneering a sound that fused gospel energy with rhythm and blues while fundamentally reshaping popular music. His influence extends far beyond his era; his rhythmic innovations, performance intensity, and emphasis on the downbeat became foundational to funk, hip hop, and modern dance music.
Why we love this
Paul Murtha captures the infectious groove of this 1968 classic in a Grade 3 arrangement that sits perfectly for marching ensembles without oversimplifying the funk. The rhythmic clarity and accessibility make it an ideal choice for bands seeking contemporary repertoire that connects with audiences while building musicianship around syncopation and ensemble lock.
What to expect
Immediate, infectious energy propels this arrangement forward with a propulsive funk backbone. Horn lines punctuate the momentum with attitude, while the rhythm section locks into a groove that makes the entire ensemble move together with confidence and swagger.
Who it's for
Directors programming Grade 3 marching bands who want contemporary, recognizable repertoire that energizes both students and audiences. Ensembles with solid fundamental technique and intermediate rhythmic reading skills will find this arrangement engaging without overwhelming their current abilities.
How to get the most out of it
- Emphasize the backbeat throughout. The groove lives in the pocket between your pit and front ensemble, so lock the snare and bass drum layers early and often in rehearsal.
- Balance the horn stabs with precision. These punchy moments define the funk feel, so mark dynamic attacks carefully and model them in multiple tempos before bringing the full tempo.
- Let the opening establish the vibe. Resist rushing into the groove; nail the introductory section with confidence so the audience immediately recognizes the tune and settles into the pocket.
- Layer the bass line distinctly. Whether the tuba or trombone carries the low end, ensure it sits below the snare without drowning out the melodic voices above.
How to use it
Open a second half or finale slot with this tune to shift audience energy and showcase your ensemble's contemporary sound. Its recognizability and party atmosphere make it an ideal choice for crowd interaction moments or for leading into a medley of pop and funk hits.
Skills your students will build
- Syncopated rhythm reading in funk and pop idioms
- Ensemble lock and pocket feel in the rhythm section
- Executing rhythmic precision on staccato ensemble hits
- Balancing bass line clarity with melodic independence
- Interpreting stylistic groove and feel beyond classical phrasing