I Go To Rio (from The Boy From Oz) (arr. Mark Brymer): SSA Choral Octavo

Mark Brymer's SSA arrangement captures the infectious joy and rhythmic vitality of this Peter Allen standard without oversimplifying the harmonies. The voicing sits brilliantly for upper voices while preserving the song's theatrical charm and contemporary pop sensibility, making it equally engaging for high school choirs and community ensembles.

Sunny and propulsive, with the romantic wanderlust of Rio itself woven throughout. The arrangement sparkles with energy while maintaining the intimate songwriting sensibility Allen brought to his best theatrical work; it's energetic without feeling forced.

This arrangement works for SSA or SSAA choirs seeking Broadway repertoire that feels contemporary and accessible without sacrificing musical substance. It's ideal for concert programs, pops shows, or any setting where you want an uplifting, rhythmically engaging selection with real melodic appeal.

• Establish the groove early in rehearsal by singing through the rhythm section parts (or playing the accompaniment) before adding harmony lines; this song lives in its pocket.
• Pay attention to the lyrical phrasing around the melody so the Latin rhythmic elements don't overshadow the sung text.
• Balance soprano and alto parts carefully during tutti moments to keep the texture light and buoyant rather than dense.

Pair this with other contemporary Broadway selections for a pops or spring concert that highlights musical theatre's range beyond traditional revivals. The bright character and moderate difficulty make it an ideal closer or penultimate selection when you want the audience leaving with a smile.

• Singing with Latin rhythmic accuracy (syncopation and the relationship between melody and accompaniment)
• Balancing full ensemble voicing while maintaining clarity of the melody line
• Maintaining energetic diction at tempo while preserving legit vocal technique
• Responding to contemporary song style within a choral context