I Go To Rio (arr. Mark Brymer): Choral Instrumental Pak

Brymer's arrangement captures the infectious energy and rhythmic drive of this Broadway favorite while keeping the instrumental parts flexible enough for groups working with limited instrumentation. The combo voicing makes it realistic for most programs to realize the full vision without complex logistics.

Breezy and propulsive, with the unmistakable Latin and jazz influences that define the original's appeal. The arrangement channels that spirit of escape and celebration while maintaining the sophistication that makes performers feel like they're tackling real music.

Choirs at intermediate to advanced levels who want a stylistically authentic Broadway number without needing a full orchestral setup. Groups with access to a working rhythm section plus any combination of woodwinds and brass will find this arrangement particularly effective.

• Lock the rhythmic foundation by having your rhythm section establish the groove before layering in the melodic instruments; this arrangement thrives on pocket.
• Highlight the vocal line's rhythmic independence from the accompaniment in passages where they diverge; resist the urge to let one pull the other off course.
• Balance the instrumental texture to avoid burying the singers, especially in tutti sections where the arrangement likely doubles or surrounds the choir.

This works beautifully as a concert closer or as part of a Broadway or contemporary pops program where you want a moment of pure joy and stylistic contrast. Its singable melody and upbeat character make it an excellent choice for spring concerts or community engagement events.

• Rhythmic precision in syncopated figures
• Stylistic awareness of Latin and jazz idioms
• Ensemble balance between voices and instruments
• Independence from instrumental accompaniment