I Get A Kick Out Of You [Jazz version] (from Anything Goes) (arr. Brent Edstrom): Piano Vocal

Brent Edstrom's jazz arrangement gives this Porter standard fresh life for singers who thrive in a swinging context. The piano writing is active and responsive without overwhelming the vocal line, letting the lyrics and melody stay front and center while the accompaniment creates real momentum and groove.

Urbane and buoyant. The song captures that specific mid-century sophistication of Porter's style, where the narrator's delight in love gets expressed through clever wordplay and a melody that bounces with genuine joy. The jazz arrangement amplifies the conversational ease without losing the song's polish.

Singers with solid jazz interpretation skills and enough range to handle Cole Porter's vocal writing. This works for cabaret programs, jazz vocal recitals, or Broadway concert contexts where you want a standard that swings without stripping away its elegance.

• Shape the phrase endings to mirror the conversational quality of the lyric; Porter's words have a natural rhythm that shouldn't be flattened into mechanical phrasing.
• Lock into the groove with the pianist from the first verse. The swing feel needs to settle early so both players breathe together.
• Pay attention to the harmonic movement in the bridge. Porter packed chromaticism and unexpected changes into these measures; singing through them cleanly gives the arrangement its sophistication.

Pair this with other American standards to create a Broadway or jazz vocal set; its accessible charm makes it an audience favorite that bridges different concert formats. Six pages means it sits well as a centerpiece number rather than a throwaway encore.

• Swing feel and rhythmic interpretation in jazz contexts
• Harmonic awareness through Porter's chromatic movement and sophisticated chord changes
• Lyrical storytelling and conversational phrasing in a cabaret style
• Ensemble listening and responsiveness with piano accompaniment