I Enjoy Being A Girl Sheet Music Preview

I Enjoy Being A Girl: SSA Choral Octavo

As performed by Richard Rodgers / As performed by Oscar Hammerstein II / As performed by Rodgers Hammerstein / Arranged by Jill Gallina

Item: 35-DS00305289

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS00305289

More about this title

About the Artist: Richard Rodgers

Richard Rodgers (1902-1979) stands as one of the most prolific and influential composers in American musical theater. His collaborations with lyricist Oscar Hammerstein II produced some of the most enduring works in the Broadway canon, including The King and I, South Pacific, and The Sound of Music. Rodgers had an extraordinary gift for melody that remains immediately singable and emotionally resonant across generations.

Why we love this

Jill Gallina's arrangement captures the infectious optimism and charm of this Rodgers and Hammerstein standard while making it accessible for SSA voices. The piece works equally well as a concert opener that energizes your audience or as a confidence builder for singers still developing their range and blend.

What to expect

Pure theatrical joy wrapped in mid-century charm. The melody sparkles with optimism and humor, inviting singers to embrace the character and individuality the lyrics celebrate. There's a lightness here that makes singing feel like fun rather than work.

Who it's for

SSA choirs looking for a Broadway standard that delivers personality without technical extremes. This works beautifully for high school and community ensembles seeking repertoire that audiences recognize and singers genuinely enjoy performing.

How to get the most out of it

  • Keep the character light and conversational in the verses; the charm lives in the storytelling rather than vocal power.
  • Balance the harmony voices so the main melody stays clearly in focus without the supporting parts disappearing.
  • Allow the text to drive the phrasing; this song thrives on natural, speech-like rhythms even when the notes feel theatrical.
  • Consider how dynamics can highlight the song's wit; subtle shifts between sections make the familiar melody feel fresh each time around.

How to use it

Pair this with other Rodgers and Hammerstein selections for a Broadway showcase, or use it as a standalone concert piece that gives your SSA section genuine solo repertoire. The familiarity and warmth make it an excellent choice for pops concerts, community events, or any program needing an audience-pleasing moment.

Skills your students will build

  • Sustaining character and storytelling across longer phrases
  • Balancing melody and harmonic voices in SSA writing
  • Shaping legit singing with theatrical expression
  • Managing blend when the harmonic movement shifts quickly

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