I Dream A World (from Trilogy Of Dreams): Choral Instrumental Pak
By Rollo Dilworth
Item: 35-PK00034753
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Description
A poem by Langston Hughes forms the lyric framework for this 3-part setting. Beginning with a joyous gospel opening with three layered vocal parts, the work unfolds into a powerful affirmation of the human spirit. Performance Time: Approx. 3:20
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00034753
More about this title
About the Composer: Rollo Dilworth
Rollo Dilworth is a composer and arranger whose work sits at the intersection of spirituals, jazz idioms, and concert music. His pieces have become standards in choral repertoires across high schools, universities, and professional ensembles, known for their accessibility without sacrificing musical depth.
Dilworth's compositional voice celebrates African American musical traditions while creating works that challenge singers technically and move audiences emotionally. His settings of poetry, particularly those engaging themes of identity and aspiration, resonate with performers and listeners seeking repertoire with substance and cultural significance.
Why we love this
Dilworth grounds this setting in authentic gospel sensibility while treating Hughes' text with genuine respect. The three-part choral writing sits comfortably for mixed ensembles while the string accompaniment adds textural sophistication without overwhelming young voices.
What to expect
The piece opens with infectious rhythmic energy and vocal layering that immediately establishes joy and community. As it unfolds, that opening exuberance transforms into something more contemplative and affirming, building toward a moment of genuine human dignity that resonates long after the final chord.
Who it's for
Any director seeking a concert piece that honors African American literary and musical traditions while remaining performance-ready for intermediate to advanced choirs. The work rewards both classroom singers and festival competitors with its emotional arc and musical substance.
How to get the most out of it
- Establish the gospel groove early in rehearsals by isolating the rhythmic interplay between the three vocal parts; this foundation makes the transition into the affirmation section significantly clearer.
- Balance the layered vocal parts so each voice retains independence rather than blending into a homogeneous mass, especially during the opening section.
- Let the string accompaniment breathe alongside the choir; resist over-conducting the instrumental passages and allow the ensemble to find its own pulse within the orchestration.
How to use it
Position this as a centerpiece for concerts exploring poetry and social themes, or pair it with other Hughes settings to create a thematic program. Its 3:20 duration and moderate difficulty make it ideal for festival programs or community concerts where you need a work that both challenges your singers and moves your audience.
Skills your students will build
- Part independence in three-part vocal writing
- Rhythmic precision in gospel-influenced passages
- Expressive phrasing of poetic text
- Balancing voice blend with individual part clarity
- Responding to string accompaniment cues