I Do, I Do Sheet Music Preview

I Do, I Do: Piano Vocal

As performed by Harvey Schmidt / Edited by Joan Frey Boytim

Item: 35-DS01927171

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Additional Details
Publisher: Hal Leonard
Page Count: 4
SKU: 35-DS01927171

More about this title

About the Artist: Harvey Schmidt

Harvey Schmidt co-created The Fantasticks, one of the longest-running musicals in theater history, alongside lyricist Tom Jones. His compositional voice blends accessibility with genuine sophistication, crafting melodies that lodge themselves in the listener's memory while maintaining musical integrity. Schmidt's work has influenced generations of musical theater writers and remains a cornerstone of the American musical repertoire.

Beyond The Fantasticks, Schmidt composed for numerous Broadway productions and understood deeply how to write for singers of varying abilities. His gift for memorable, singable lines and his economical orchestrations have made his work a favorite in educational settings, where students discover how strong melodic writing transcends commercial appeal.

Why we love this

Schmidt's melody for "I Do, I Do" exemplifies why his work endures in music education: it's genuinely beautiful without requiring superhuman vocal technique. The song's emotional straightforwardness pairs with harmonic sophistication, giving singers real material to interpret while remaining accessible at multiple levels. Programming this piece signals confidence in your students' musicality and taste.

What to expect

Warm, earnest, and emotionally direct. The song carries the tenderness of a sincere declaration without sentimentality, settling naturally into the register and emotional truth of the singer.

Who it's for

Vocalists developing their lyrical singing with repertoire of genuine musical substance. This works equally well for high school choirs seeking quality art song material and for voice students building a foundation in American musical theater standards.

How to get the most out of it

  • Shape the phrase through dynamic variation rather than tempo fluctuation; let the harmonic progression guide your breath placement and support.
  • Anchor the accompaniment rhythmically while leaving the vocal line room to breathe expressively; resist locking into metronomic rigidity.
  • Explore the consonant attacks in the text; Schmidt's melodies thrive when each lyrical moment lands with intention and clarity.

How to use it

Position this in a Broadway classics concert where it pairs naturally with other American standards, or feature it as a solo piece that introduces audiences to Schmidt's compositional craft. The four-page length makes it ideal for programs that value substance over brevity without demanding extended rehearsal time.

Skills your students will build

  • Sustaining legit singing through extended phrases with varied harmonic support
  • Interpreting text-driven emotional content without oversinging
  • Reading and executing piano vocal scores with character and nuance
  • Balancing accessibility with musical sophistication in performance choices

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