I Can Do That: SATB Choral Octavo

Deke Sharon's a cappella arrangement preserves the infectious optimism of this Chorus Line standout while crafting something genuinely singable for mixed voices. The song's simple title belies its emotional weight: a character claiming agency over their own life, and Sharon's voicing lets that sincerity breathe without unnecessary complexity. Audiences connect immediately to both the message and the music.

Immediate and earnest. The song pulses with quiet determination, building from a declaration into an affirmation. There's both vulnerability and strength in the vocal writing, creating the sense that we're hearing someone convince themselves and us simultaneously.

This arrangement suits choirs looking for uplifting Broadway repertoire that doesn't require accompaniment or orchestra parts. It works well for groups with solid blend and rhythmic security who want to explore contemporary theater music.

• Keep the energy forward and conversational, even in the softer moments. This is a character speaking directly to us, not performing for us.
• Balance the individual voice lines carefully so no section overshadows the text. The lyrics drive everything.
• Lock the rhythmic precision early in rehearsal. A cappella singing requires absolute confidence in the pulse, especially during the more syncopated phrases.

Program this as a concert opener or closer to showcase your ensemble's ability to nail contemporary pop sensibility with classical voicing. It pairs naturally with other Broadway selections or with upbeat closing numbers that celebrate resilience and self-determination.

• Stylistic control in Broadway idiom and conversational phrasing
• A cappella balance and intonation without instrumental support
• Syncopated rhythmic precision across multiple voice parts
• Emotional authenticity and character connection within ensemble singing