I Call You Faithful: Choral Instrumental Pak
By Robert Ray Price / By Kevin Keith Walker / As performed by Donnie McClurkin / Arranged by Andre Williams
Item: 35-PK00028311
$20.00
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Description
Based on the popular Donnie McClurkin recording, this setting of the popular praise chorus is infused with an uplifting gospel flavor. Great for showcasing a special soloist. Instrumental Accompaniment includes parts for Tenor Sax, Guitar, Bass and Drums. Performance Time: Approx. 3:45
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00028311
More about this title
About the Composer: Robert Ray Price
Robert Ray Price is a composer and arranger whose work bridges contemporary worship and choral music. His settings often capture the energy and accessibility of popular gospel recordings while crafting arrangements that serve educational and performing ensembles.
Why we love this
This arrangement gives your choir a genuine connection to a beloved recording while keeping the instrumental setup practical for most programs. The gospel foundation feels authentic without requiring a specialized rhythm section, and having a built-in solo moment means you can feature a strong vocalist rather than searching for separate showcase material.
What to expect
Warm, joyful, and grounded in the specifics of modern gospel music. The arrangement doesn't ask your choir to approximate something distant; it invites them into a style that feels immediate and celebratory.
Who it's for
Choirs of mixed abilities that want to program contemporary sacred music with real stylistic authenticity. Your ensemble needs access to a capable soloist and a rhythm section willing to learn gospel comping, but the vocal writing itself is accessible.
How to get the most out of it
- Let the rhythm section establish the groove early; their pocket work is essential to the gospel feel, so rehearse drums and bass together before full choir runs.
- Balance the choir's energy against the soloist's moments. The accompaniment is designed to support, not overpower, so encourage singers to pull back during the feature sections.
- The tenor sax and guitar carry melodic identity alongside the choir. Have these players listen to the Donnie McClurkin recording to absorb the phrasing that makes this tune recognizable.
- Keep the tempo consistent and slightly laid back. This piece breathes when you resist rushing the changes.
How to use it
This works beautifully on a spring concert where you're mixing classical and contemporary sacred repertoire, or as a showcase moment during a worship service program. Its roughly 3:45 runtime makes it substantial enough to stand alone without overshadowing other selections.
Skills your students will build
- Gospel comping and rhythmic independence in rhythm section players
- Call-and-response phrasing and syncopated rhythmic patterns
- Sustaining expressive singing while accompanying a featured soloist
- Listening and blending with jazz-inflected instrumental timbres