I Believe / J'Imagine: 2-Part Choral Octavo
I Believe / J'Imagine Sheet Music Preview

I Believe / J'Imagine: 2-Part Choral Octavo

By Stephan Moccio / By Alan Frew / By Thierry Leflamme / As performed by Annie Villeneuve / Arranged by Mark Brymer

Item: 35-DS00144506
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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00144506

More about this title

About the Composer: Stephan Moccio

Stephan Moccio is a film and television composer whose work spans major motion pictures and streaming productions. His ability to craft emotionally resonant melodies that serve both cinematic and concert contexts has made him a valued voice in contemporary composition.

Moccio's approach to composition prioritizes accessibility without sacrificing musical substance, a quality that translates well to educational arrangements. His collaborations with lyricists and arrangers like Mark Brymer have resulted in pieces that engage singers while remaining technically manageable for student ensembles.

Why we love this

The bilingual text (English and French) opens programming possibilities beyond typical secular choral fare, and Mark Brymer's 2-part setting honors the melody's singability while offering genuine harmonic interest. This arrangement works as both a meaningful concert closer and a festival selection that feels contemporary without gimmickry.

What to expect

The piece carries an intimate, forward-looking quality grounded in straightforward melody. Brymer's arrangement creates warmth through its harmonic support without overwhelming the direct simplicity of the tune, resulting in a piece that feels both accessible and purposeful.

Who it's for

Choirs seeking contemporary material that addresses theme without preachiness will find this arrangement valuable. The 2-part voicing welcomes developing singers while offering enough musical substance to satisfy more experienced ensembles.

How to get the most out of it

  • Balance the melody against the supporting voice part; resist the urge to let singers double the tune if they're uncertain, as this flattens the harmonic texture.
  • Allow space for the text to breathe, especially at phrase endings. The emotional weight of "I Believe" and "J'Imagine" depends on singers taking time to shape their lines.
  • Attend to vowel consistency across both parts during sustained passages. The 10-page length gives you room to rehearse tone quality thoroughly.
  • Consider the emotional arc across both languages. French and English vowels sit differently, so consistent formant positioning supports blend.

How to use it

Position this in a set exploring identity and reflection, or as a closing number for concert programs with contemporary themes. The bilingual text makes it particularly effective in multicultural festival contexts or schools with French language programs.

Skills your students will build

  • Singing with two independent melodic lines while maintaining ensemble blend
  • Interpreting lyrical content in two languages with appropriate phrasing
  • Maintaining harmonic awareness in a supportive voice part
  • Shaping sustained tones for emotional effect

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