I Believe / J'Imagine Sheet Music Preview

I Believe / J'Imagine: SATB Choral Octavo

By Stephan Moccio / By Alan Frew / By Thierry Leflamme / As performed by Annie Villeneuve / Arranged by Mark Brymer

Item: 35-DS00144505

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00144505

More about this title

About the Composer: Stephan Moccio

Stephan Moccio is a Canadian composer and producer known for his work in film, television, and popular music. His compositions often blend accessible melodic writing with sophisticated harmonic language, making his work appealing to both professional and student performers.

Moccio has established himself as a go-to voice for projects requiring emotional depth and broad appeal. His collaborations with lyricists and arrangers have resulted in pieces that resonate across diverse audiences, from concert halls to broadcast media.

Why we love this

This arrangement captures the inspirational warmth of the original while giving choirs real musical substance to work with. The SATB writing sits comfortably for singers across ability levels, and Mark Brymer's arrangement honors both the film context and the choral medium without sacrificing either one.

What to expect

Hopeful and affirming without sentimentality. The writing unfolds with clear melodic lines and warm harmonic support, creating moments of lift and sincerity that feel earned rather than imposed.

Who it's for

Choirs preparing graduation, festival, or concert repertoire benefit from material that sounds sophisticated but remains technically accessible. This octavo works well for groups seeking contemporary secular music with genuine emotional pull.

How to get the most out of it

  • Balance the melody line between soprano and alto voices in sections where they trade thematic material; keep both parts singing with equal confidence and tone.
  • Approach the harmonic progressions with clear vowel shapes to let the richness of Moccio's sonorities ring through without getting muddy.
  • Shape phrases around the lyrical content rather than the printed bar lines; this music breathes better when singers understand the emotional arc of the text.

How to use it

Consider this piece for year-end concerts, graduation ceremonies, or festival competitions where contemporary choral writing signals musicality and care. It pairs effectively with both classical repertoire and other modern concert pieces, bridging different musical worlds on a single program.

Skills your students will build

  • Sustained phrase singing through longer melodic lines
  • Balance and blend in four-part writing with clear harmonic function
  • Connecting text to musical expression in contemporary arrangements
  • Intonation precision in extended harmonic progressions

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