I Believe In The Sun (Ich Glaube An Die Sonne) Sheet Music Preview

I Believe In The Sun (Ich Glaube An Die Sonne): 2-Part Choral Octavo

By Thomas Juneau

Item: 35-DS00358075

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00358075

More about this title

Why we love this

Juneau's setting captures something essential about hope and affirmation without resorting to saccharine gestures. The two-part voicing is genuinely singable for developing choirs, yet the harmonic language and text treatment give singers real musical substance to inhabit.

What to expect

Luminous and grounded at once. The piece unfolds with quiet confidence, building affirmation through simple but elegant harmonic gestures. There's warmth here, but also restraint; it moves you without announcing itself.

Who it's for

Middle school and early high school choirs, particularly those looking for repertoire that pairs accessibility with genuine artistry. It also works well for festival selections or community choirs seeking pieces with uplifting texts and manageable ranges.

How to get the most out of it

  • Balance the text intelligently. The title's declaration demands clarity, so prioritize diction without sacrificing legit tone production in the sustained passages.
  • Listen for the harmonic movement beneath the surface. Even in a simple two-part texture, Juneau's voice leading creates momentum; follow it rather than pushing through phrases uniformly.
  • Let silence breathe. Strategic rests between phrases amplify the emotional weight of the words.

How to use it

This sits naturally on concert programs alongside other works exploring faith, resilience, or human connection. Its relative brevity (10 pages) makes it ideal for filling a strategic slot between larger choral works or for pairing with instrumental chamber pieces on a mixed concert.

Skills your students will build

  • Sustained legit tone in homophonic textures
  • Harmonic listening and blend in two-part writing
  • Text expression and emotional commitment without melodrama
  • Attention to phrase shape and musical direction across resting points

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