I Believe In The Dream Sheet Music Preview

I Believe In The Dream: SATB Choral Octavo

By Patti Drennan / By Sarah Moore

Item: 35-DS00166124

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Additional Details
Publisher: Hal Leonard
Page Count: 11
SKU: 35-DS00166124

More about this title

About the Composer: Patti Drennan

Patti Drennan

Patti Drennan's 28 years directing choral programs in Norman Public Schools shaped her understanding of what singers need to grow. She earned degrees in music education from Oklahoma State University and the University of Oklahoma, then spent two decades at West Mid-High School building a program that earned her campus Teacher of the Year honors. Her eight years at Norman High School followed, where she directed four choirs that consistently achieved superior ratings at festivals.

With over 425 published choral octavos and two million copies in circulation, Drennan has become one of the most prolific composers in American choral music. The Oklahoma Choral Directors Association recognized her impact with the Director of Distinction Award in 2004, the same year she stepped away from the classroom to focus full-time on composition and clinician work. She continues leading workshops across the United States and Canada, adjudicating festivals, and collaborating with musicians including her daughter Emily, a performer in New York City's musical theater scene.

Why we love this

Drennan writes for what actually works in your rehearsal. This piece carries the emotional weight that makes graduation ceremonies and spring concerts memorable without requiring technical gymnastics that pull focus from the message. The four-part writing sits comfortably in most singers' ranges while creating genuine harmonic depth.

What to expect

This piece opens space for singers to connect personally with the text. The harmonic language unfolds with warmth rather than complexity, creating an intimate yet confident sound that resonates in performance spaces large and small.

Who it's for

Choirs preparing for graduation, spring concerts, or inspirational programming. This octavo suits secondary and college ensembles with foundational part-independence skills and accessible ranges across all four voices.

How to get the most out of it

  • Balance the syllabic text setting so each word lands with intention; this style of writing asks singers to color language rather than sustained technique.
  • Shape the arc across all 11 pages as a single emotional journey rather than isolated moments. Mark your structural turning points in rehearsal.
  • Ground the accompaniment so it supports rather than competes with the choir. The piano part serves the singers' message.

How to use it

Reserve this for moments that call for genuine emotion and accessibility. It pairs well with more demanding repertoire in a concert, offering audiences a moment to absorb the singers' artistry without technical distractions. Graduation ceremonies and spring showcases particularly benefit from its combined impact and singability.

Skills your students will build

  • Phrasing across longer melodic lines in syllabic text
  • Four-part SATB blend and balance
  • Emotional communication through text-sensitive singing
  • Sustaining musical line while attending to lyrical clarity

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