I Am A Face!: SATB Choral Octavo

A piece rooted in contemporary wit and playfulness. Cohen's music meets Cadmus's quirky text with charm, creating something that feels spontaneous and entertaining while remaining grounded in solid choral craft.

Directors seeking secular repertoire that makes singers smile without sacrificing musicality. This octavo works for intermediate ensembles that can handle straightforward part-writing and aren't afraid to bring personality to the stage.

• Commit fully to the character work. This text invites theatrical delivery, and your singers will respond if you give them permission to play with it.
• Track the harmonic movement carefully in rehearsal. Cohen's chordal choices often support the text's wit, and singers need to hear how harmony reinforces the humor.
• Balance transparency with blend. The piece works best when all four parts remain clear and distinct, especially during moments of textual interplay.

Place this strategically on a concert where you want to shift the mood and let the audience breathe. It works particularly well in the second half of a program, after more substantial fare, or as part of a thematic set exploring identity, appearance, or the absurd.

• Textual clarity and diction in a secular piece
• Balancing harmonic blend with individual voice independence
• Interpreting composer intent through comedic text setting
• Sustaining musical energy across 15 pages