Hurakan: E-flat Alto Saxophone Sheet Music Preview

Hurakan: E-flat Alto Saxophone

By Michael Story

Grade: 1 (Very Easy)

Item: 00-PC-0014895_AX1

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Description
Hurakan is the name of the Mayan god of wind, fire, and storm. Meaning "one legged," the word is most likely the origin of the word "hurricane." Michael Story's original overture is filled with cyclonic energy!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Hurakan: E-flat Alto Saxophone comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Belwin Beginning Band
Publisher: Alfred Music
Page Count: 198
SKU: 00-PC-0014895_AX1

More about this title

About the Composer: Michael Story

Michael Story is a prolific composer and arranger whose catalog spans wind band, orchestra, and choral literature. His works have become staples in school music programs across the country, known for their accessibility, musical substance, and attention to pedagogical clarity. Story's compositions consistently balance engaging musical ideas with appropriate technical demands, making him a trusted voice in beginning and intermediate band repertoire.

Why we love this

This overture delivers genuine musical excitement at Grade 1, which is rare. Story captures the essence of cyclonic energy without resorting to empty bombast; the writing sounds accomplished and thrilling, giving young musicians real material to sink their teeth into rather than simplified filler. It's the kind of piece that reminds students why they wanted to play band in the first place.

What to expect

Swirling, relentless, and alive. The piece captures the raw power of a storm with orchestral sweep and driving rhythmic momentum. Young musicians experience what it feels like to be part of something grand and kinetic.

Who it's for

Beginning concert bands ready to play something with real character and energy. This is ideal for programs looking to program a concert opener that doesn't talk down to young musicians, or for a festival or contest slot where you want a piece that sounds accomplished without impossible technical demands.

How to get the most out of it

  • Establish a brisk, propulsive tempo from the opening. The cyclonic energy depends on momentum; dragging the pulse flattens the dramatic intent.
  • Balance the ensemble so that internal melodic lines don't disappear. At this grade level, intonation and balance under tempo can challenge young players; extra rehearsal time here pays dividends.
  • Shape dynamic contrasts clearly. This piece uses dynamic changes as a compositional tool, not decoration, so exaggerate them slightly to make the form audible.
  • Let the percussion contribute rhythmic vitality. The percussion parts drive the storm imagery; make sure they're confident and engaged rather than timid.

How to use it

Open a concert with this overture to set an energized tone for the entire program. Its dramatic character and manageable length (198 pages of full score and parts) make it perfect for contest or festival formats where an opening statement matters. It also pairs well with lyrical or contrasting works later in the program, creating dynamic variety.

Skills your students will build

  • Ensemble balance at tempo
  • Dynamic shaping and contrast
  • Reading standard concert band instrumentation
  • Maintaining rhythmic momentum under technical demands
  • Responding to multilayered textures in a full ensemble

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