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Hungarian Dances for Flute and Piano Bk. 2: Conductor Score & Parts

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Hungarian Dances for Flute and Piano Bk. 2 Cover Image

Hungarian Dances for Flute and Piano Bk. 2: Conductor Score & Parts

By Johannes Brahms / arr. Robert Stallman

Item: 36-M406291

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Description
Edited by William Preucil. For violin and piano. Reprint from an earlier edition. Includes: Sonata in A, Op. 47 (Kreutzer) and Sonata in G, Op. 96. Score (67 p.) and part.

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Additional Details
Series: Master Woodwind Series - LudwigMasters
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270767-1
ISBN13: 979-8-89-270767-1
UPC: 660355088896
SKU: 36-M406291
Instrumentation: Flute and Piano

More about this title

About the Composer: Johannes Brahms

Johannes Brahms (1833-1897) stands as one of the most influential composers of the Romantic era, bridging the classical traditions of Mozart and Beethoven with the expressive language of his own time. His chamber music forms the cornerstone of the repertoire for soloists and pianists alike, combining structural rigor with lyrical depth that rewards both performers and audiences with profound musical conversation.

Why we love this

Brahms's Hungarian Dances radiate charm and virtuosity in equal measure. These arrangements offer flutists access to music that's immediately engaging without sacrificing the harmonic sophistication and rhythmic vitality that make Brahms essential repertoire.

What to expect

The Hungarian Dances pulse with rhythmic vitality and earthy passion, drawing listeners into dance forms that feel both exotic and deeply human. Brahms transforms folk elements into art music that sparkles with technical figuration while maintaining a warm, approachable character.

Who it's for

Flutists seeking substantial solo repertoire with piano accompaniment will find these dances ideally suited for intermediate to advanced players. The material works equally well for recital performance or as a vehicle for deepening musical partnership between soloist and collaborative pianist.

How to get the most out of it

  • Balance the lyrical phrasing of the flute line with the piano's harmonic foundation; the instrument roles are distinct but interdependent.
  • Pay close attention to dynamic markings and tempo fluctuations within each dance, as Brahms uses these tools to shape dramatic arc and character.
  • Coordinate with your pianist on the ornamentation and cadential gestures that punctuate these pieces, ensuring transitions feel natural rather than abrupt.

How to use it

Sequence these pieces as a contrasting block within a recital of longer works, or build an entire program around Brahms's chamber music for flute. Their energetic character and manageable length make them ideal for mid-program positioning when audience engagement matters most.

Skills your students will build

  • Lyrical phrase shaping across extended melodic lines
  • Rhythmic coordination with a collaborative partner at the keyboard
  • Ornamentation and articulation choices specific to dance idioms
  • Dynamic control and character differentiation across multiple short forms

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