Human (arr. Thomas Chapman) Sheet Music Preview

Human (arr. Thomas Chapman): SATB Choral Octavo

As performed by The Killers / Arranged by Thomas Chapman

Item: 35-DS01322819

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Additional Details
Publisher: Hal Leonard
Page Count: 6
SKU: 35-DS01322819

More about this title

About the Artist: The Killers

The Killers emerged from Las Vegas in the early 2000s with a distinctive blend of new wave, synth pop, and alternative rock. Their music combines Brandon Flowers' distinctive vocal delivery with the band's trademark synthesizer-driven arrangements, creating songs that balance introspection with infectious energy. Their catalog has become a staple of contemporary pop music education, offering rich material for choral adaptation.

Why we love this

This arrangement captures the emotional restraint and building momentum that makes the original so compelling. Chapman's voice leading preserves the song's meditative quality while giving each section distinct material, making it engaging for singers across all four parts without oversimplifying the harmonic sophistication.

What to expect

Introspective yet building. The arrangement carries a quiet intensity, with moments of vulnerability that gradually expand into something more urgent and present. There's space here for restraint and nuance, which makes it feel more intimate than the original's production.

Who it's for

High school and adult choirs looking to program contemporary music with harmonic and textural interest. This arrangement works for groups comfortable with modern pop idioms and ready to move beyond show choir style treatments.

How to get the most out of it

  • Balance the text intelligently; the lyrics need clarity even as the harmonic layers thicken, so resist the temptation to blend everyone into homogeneity.
  • Explore the dynamic arc carefully. This song thrives on restraint before the emotional peak, so mark your early dynamics conservatively.
  • Pay close attention to any unison or divisi passages as moments to reset breath and energy rather than continuous full-voiced texture.

How to use it

Pair this with other contemporary pop or rock arrangements for a concert that speaks to current student listeners. It also stands alone beautifully as a moment of musical maturity within a more traditional program, offering audiences a bridge between classical and modern idioms.

Skills your students will build

  • Singing contemporary harmony in a non-traditional harmonic vocabulary
  • Executing intentional dynamic control and phrase shaping in pop music contexts
  • Managing text clarity while navigating complex voice leading
  • Building musicality through restraint and building intensity

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