Human Sheet Music Preview

Human: SSA Choral Octavo

As performed by Martin Johnson / As performed by Christina Perri / Arranged by Audrey Snyder

Item: 35-DS00302194

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00302194

More about this title

About the Artist: Martin Johnson

Martin Johnson is the lead vocalist and primary songwriter for Boys Like Girls, the pop rock band that emerged in the mid-2000s with infectious hooks and radio-friendly energy. His songwriting emphasizes memorable melodies and emotionally direct lyrics that resonate across pop audiences. As an artist, Johnson has consistently crafted songs with strong melodic cores that translate effectively to vocal ensemble arrangements.

Why we love this

Audrey Snyder's arrangement captures the song's infectious melodic appeal while keeping the writing accessible for developing singers. The SSA voicing sits comfortably in a range that doesn't demand extreme belting or technical vocal pyrotechnics, letting students focus on blend, phrasing, and emotional connection rather than survival. This is exactly the kind of contemporary pop material that keeps singers engaged while reinforcing genuine musicianship.

What to expect

Uplifting and modern, with the kind of melodic openness that makes singing feel natural rather than labored. There's an inherent joy in the material—the kind of song that sticks with singers long after rehearsal ends and sounds great in a concert setting because it feels effortless.

Who it's for

SSA choirs seeking contemporary pop repertoire that's genuinely singable and musically rewarding. This works equally well for middle school and high school ensembles, and it's especially valuable for programs looking to program material that reflects students' actual musical lives.

How to get the most out of it

  • Balance the lead line so it sits naturally above the harmonies without oversinging. The melody wants to soar, but forcing it creates tension that undermines the song's inherent lightness.
  • Attend to the rhythmic precision in any syncopated passages. Pop arrangements live and die by groove, and a crisp, unified approach to rhythm makes the difference between polished and sloppy.
  • Shape phrases by thinking in longer arcs rather than measure-by-measure. This song breathes, and students who understand the larger melodic contour will deliver far more compelling interpretations.
  • If performing with accompaniment, lock in early with the recorded track so students can relax into the groove rather than fighting against it.

How to use it

Pair this with other contemporary pop arrangements to build a concert set that speaks to your singers and your audience alike. The ten-page format makes it manageable for a single-concert program or an assembly where you want to showcase diverse repertoire. This is also an excellent choice for a pop-themed evening or for programs intentionally mixing classical and contemporary work.

Skills your students will build

  • Sustaining healthy tone production in a commercial pop style
  • Rhythmic precision in contemporary pop grooves
  • Blend and balance in SSA voicing
  • Expressive phrasing across longer melodic arcs
  • Singing from recorded accompaniment tracks

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