How we spent the night Cover Image

How we spent the night: String Quartet Score & Parts

$109.00 USD
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How we spent the night Cover Image

How we spent the night: String Quartet Score & Parts

By Jonathan Dove

Level: Advanced

Item: 98-EP73645

$109.00
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Description
How we spent the night is dedicated to the Rusquartet and commissioned by the Eduard van Beinum Foundation, at the request of the Orlando Festival for the celebration of its 40th edition in 2022.

My second and third string quartets were written during the pandemic that began in 2020, and explicitly reflected the experience of lockdown. The second quartet, On the streets and in the sky, contrasted the anxiety of daily life with the beauty of birdsong and unpolluted skies. The third, Togetherness, dramatised isolation and social distancing by separating the players for part of the piece, so that they were unable to share a pulse.

My fourth quartet, How we spent the night, was written at a later stage of the pandemic, when it was easier to imagine something more like normal life returning. There is no clear narrative, but I imagine the quartet as a group of friends gathering, talking together, singing and dancing the night away. The first movement is a conversation that progresses by free association. The second is a kind of communing, a song of tenderness and intimacy. The third is a dance.

Jonathan Dove

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 96
ISBN10: 0-57-702295-4
ISBN13: 979-057-702-2956
UPC: 9790577022956
SKU: 98-EP73645

More about this title

About the Composer: Jonathan Dove

Jonathan Dove is a British composer whose work spans opera, orchestral music, choral writing, and chamber works. Known for his gift for melody and emotional directness, Dove has composed for the stage, concert hall, and educational settings with equal fluency. His music often explores the human experience with clarity and warmth, drawing on both contemporary techniques and accessible lyricism.

Why we love this

Dove captures the social and emotional texture of pandemic experience without sentimentality or didacticism. The quartet's three-movement arc from conversation to intimacy to celebration feels earned and human, giving players a narrative arc to inhabit that enriches the ensemble's musical communication. For advanced quartets ready to play something contemporary that speaks to lived experience, this work rewards the investment with genuine musical substance.

What to expect

The quartet unfolds like an evening of gathering and connection: first the easy exchange of friends catching up and riffing on ideas together, then a quieter moment of shared vulnerability and tenderness, and finally an uninhibited celebration. The music moves between animated conversation, lyrical warmth, and pure kinetic joy, never losing sight of the human voices beneath.

Who it's for

Advanced string quartets seeking contemporary repertoire that engages with recent history and lived experience. This work suits ensembles comfortable with modern compositional language and eager to perform music that speaks to audiences in meaningful, accessible ways.

How to get the most out of it

  • Shape the first movement's free association as genuine conversation between the four voices; resist the urge to impose overarching structure where the composer intends spontaneity and playful interruption.
  • In the second movement's song of tenderness, listen carefully for the opportunities to blend and balance intimacy across all four parts rather than highlighting a single melodic voice.
  • Approach the third movement's dance with rhythmic clarity and ensemble precision; the festive character depends on tight coordination, particularly in any syncopated or staggered rhythmic figures.

How to use it

Program this as part of a string quartet retrospective or contemporary chamber concert where it can anchor a program of 21st-century works. Its narrative clarity and accessible emotion make it an effective bridge between traditional repertoire and newer composition, and it pairs well with other works exploring pandemic-era experience or the return to communal life.

Skills your students will build

  • Balancing independent lines within a unified ensemble texture
  • Interpreting free association and quasi-improvisational passages with ensemble cohesion
  • Shifting between conversational, intimate, and celebratory character types within a single work
  • Navigating contemporary notational and compositional techniques with musicality

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