How Sweet It Is (To Be Loved By You) Sheet Music Preview

How Sweet It Is (To Be Loved By You): SSA Choral Octavo

By Brian Holland / By Lamont Dozier / By Edward Holland / As performed by Marvin Gaye / As performed by James Taylor / As performed by Michael Buble / Arranged by Mark Brymer

Item: 35-DS00151294

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00151294

More about this title

About the Composer: Brian Holland

Brian Holland stands among the most prolific hit makers of the Motown era. Alongside Lamont Dozier and Edward Holland (his brother), he formed the songwriting and production team Holland-Dozier-Holland, which crafted some of the label's most enduring pop and soul standards. Their work shaped the sound of 1960s popular music and continues to define the repertoire of contemporary choirs.

Holland's gift lay in writing hooks that lodge themselves immediately in memory while maintaining genuine harmonic sophistication. His compositions have been recorded across genres and generations, making them essential reference points for understanding American popular song structure and melody.

Why we love this

Brymer's arrangement captures the infectious warmth of this Motown classic while giving your SSA ensemble plenty of room to shine. The voices sit comfortably in a range that lets students focus on interpretation and blend rather than struggling with tessitura, and the charm of the original melody remains completely intact throughout the 10-page score.

What to expect

Pure joy wrapped in a three-part harmony. The song radiates optimism and affection, with the arrangement maintaining the lightness and sophistication of the original while feeling fresh each time you sing it. There's something deeply satisfying about a melody this strong supported by voices moving together in genuine musicality.

Who it's for

This arrangement works equally well for treble choirs at the high school level and adult community ensembles seeking accessible yet satisfying repertoire. It's an excellent choice when you need something that audiences recognize instantly while remaining genuinely rewarding for singers to perform.

How to get the most out of it

  • Balance the lead line against supporting voices by rehearsing sections separately first; the arrangement clearly delineates which voices carry the tune at each moment.
  • Lean into the swing quality of the rhythmic figures, particularly in the accompaniment. This song thrives on a relaxed, conversational groove rather than a metronomic pulse.
  • Shape the dynamics across the form to build interest. The octavo provides clear markings, but your group will gain musicality by thinking about the journey from verse through chorus and any key moments that need emphasis.
  • Record a rough pass early and listen back with your singers present. Hearing themselves as a unified ensemble often sparks immediate improvements in intonation and rhythmic confidence.

How to use it

Pair this with other well-crafted pop standards from different eras to build a concert that celebrates song craft across decades. It serves equally well as a second-half energizer in a longer program or as the cornerstone of a pops concert celebrating Motown's influence on contemporary music.

Skills your students will build

  • Part independence while maintaining blend in SSA voicing
  • Swing rhythm and relaxed interpretation of eighth-note figures
  • Phrase shaping and dynamic control across a song form
  • Intonation in moving harmonic progressions
  • Stylistic flexibility in moving between classical and popular repertoire

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