How Sweet It Is (To Be Loved By You) Sheet Music Preview

How Sweet It Is (To Be Loved By You): SATB Choral Octavo

By Brian Holland / By Lamont Dozier / By Edward Holland / As performed by Marvin Gaye / As performed by James Taylor / As performed by Michael Buble / Arranged by Mark Brymer

Item: 35-DS00151292

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00151292

More about this title

About the Composer: Brian Holland

Brian Holland was a cornerstone of Motown's legendary songwriting machine, crafting hits that defined an era. Working alongside Lamont Dozier and Edward Holland (often credited as Holland-Dozier-Holland), he shaped the sound of the 1960s with an instinctive gift for melody and structure that made complex arrangements feel inevitable rather than clever.

Why we love this

Mark Brymer's arrangement captures the warmth and groove of this Motown classic without oversimplifying it. The writing sits comfortably in the voices while preserving the song's inherent charm, making it accessible for singers who want to deliver something genuinely joyful rather than ironic.

What to expect

Genuine affection wrapped in a sophisticated groove. The song radiates optimism without saccharine sweetness, blending the earnestness of a confession with the cool of someone who knows exactly what they're saying.

Who it's for

Any SATB choir seeking a standard that audiences recognize instantly and singers enjoy performing. It works equally well in a concert setting or as a closer that sends people out smiling.

How to get the most out of it

  • Balance the parts so the melody reads clearly; this song lives or dies on its singability, so resist over-blending in favor of clean voice leading.
  • Let the rhythm section (if using accompaniment) establish the pocket before the choir enters; this tune has swagger, and hesitant entrances undermine that.
  • Find the conversational quality in the phrasing. These are words someone actually says, not operatic declarations; sing them like you mean them.
  • Pay attention to any key changes or modulations in the arrangement; they're often what give the final section its lift and energy.

How to use it

Pair this with other feel-good standards for a program centered on joy and connection, or place it as a second-half opener to shift the emotional temperature after more serious work. It also functions beautifully as a finale if you're looking to end on a note of lightness.

Skills your students will build

  • Balancing a singable melody line with supporting harmonies
  • Maintaining rhythmic pocket and groove in a pop idiom
  • Shaping phrase length to match conversational speech patterns
  • Blending understatement with confidence in vocal delivery

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