How Shall We Greet Him? Sheet Music Preview

How Shall We Greet Him?: SATB Choral Octavo

By Michael Barrett / By Terry York

Item: 35-DS00258878

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$2.99
Description

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Additional Details
Publisher: Hal Leonard
Page Count: 12
SKU: 35-DS00258878

More about this title

Why we love this

The harmonic language here is fresh without being opaque, and the text setting respects the natural speech rhythms of the poetry. Barrett and York have written something that challenges intonation and blend without requiring extreme ranges or avant-garde techniques.

What to expect

The piece carries warmth and reflection, inviting singers into careful listening rather than showy display. There's an intimacy here, even within the full SATB texture, that rewards singers who commit to phrase legato and expressive text delivery.

Who it's for

This octavo suits intermediate to advanced high school choirs and collegiate ensembles with solid fundamentals in sight-reading and intonation. It works equally well for community choirs comfortable with contemporary harmonic language.

How to get the most out of it

  • Balance the soprano line carefully in the upper passages; it carries the primary melodic material but should never dominate the inner voices, which provide essential harmonic color.
  • Attend to vowel consistency across the four parts during the more complex harmonic sections. Slight shifts in vowel shape will expose tuning weaknesses immediately.
  • Consider the recorded accompaniment as a reference for tempo and style, but rehearse extensively without it to build the choir's independent musicality and confidence in the harmonies.

How to use it

Pair this with other contemporary sacred or secular vocal works to build a thematic program around community and connection. Its moderate length makes it suitable for concert openers or as a bridge between larger ensemble pieces.

Skills your students will build

  • Reading contemporary harmonic language with chromatic voice leading
  • Balancing independent melodic lines while maintaining harmonic blend
  • Sustaining legato phrasing across longer musical phrases
  • Refining intonation in close harmonic intervals

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