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How High: Piano/Vocal/Chords

Madonna

Item: 00-PSP-000071

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Description
Alfred is pleased to present the album-matching folio for Madonna's CD, Confessions on a Dance Floor. Confessions on a Dance Floor is Madonna's latest release, described as having " . . . one foot in the early roots of her career as a 'dance artist' and the other foot planted firmly into the sound of 'future disco' (www.madonna.com)..." Recorded in London, the CD features songs primarily co-written and co-produced by Madonna and internationally known producer/mixer/DJ Stuart Price. This book provides the lyrics with piano and chord arrangements for all the songs on the record.

Titles are: Hung Up * Get Together * Sorry * Future Lovers * I Love New York * Let It Will Be * Forbidden Love * Jump * How High * Isaac * Push * Like It or Not.

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Additional Details
Publisher: Alfred Music
Page Count: 84
SKU: 00-PSP-000071

More about this title

About the Artist: Madonna

Madonna emerged in the 1980s as a defining pop artist, consistently reinventing her sound while maintaining her position at the forefront of popular music. Her ability to collaborate with innovative producers and adapt to shifting musical landscapes has made her work essential listening across generations of musicians and audiences.

Confessions on a Dance Floor represents a deliberate return to the dance-floor energy that defined her early career, filtered through contemporary production. Working primarily with Stuart Price, Madonna created an album that bridges her legacy as a dance artist with forward-looking electronic production, demonstrating her continued relevance and creative ambition in popular music.

Why we love this

This folio captures a full album of contemporary pop songs with singable melodies and clear harmonic structures, making it ideal for singers preparing contemporary repertoire or exploring current commercial music. The chord notations make this accessible to pianists of varying levels, while the included lyrics and vocal line provide singers with exactly what they need for recital or performance study.

What to expect

Confessions on a Dance Floor pulses with electronic energy and dance-floor momentum, yet maintains melodic warmth and lyrical accessibility throughout. The album balances club-influenced production aesthetics with songs built on strong, singable hooks and emotional directness, creating arrangements that feel both contemporary and grounded.

Who it's for

Vocalists preparing contemporary pop material for recital or performance will find clear melodic lines and complete lyrics. Pianists accompanying singers benefit from a full album's worth of arrangements, and musicians interested in studying current commercial songwriting will appreciate the harmonic and structural clarity of these pieces.

How to get the most out of it

  • Balance the vocal melody so it sits clearly above the piano accompaniment; these songs rely on the strength and personality of the vocal line rather than dense instrumental textures.
  • Pay attention to rhythmic precision in the piano part, particularly in the electronic-influenced songs where steady grooves drive the arrangement.
  • Use the chord symbols to shape harmonic color; the production aesthetic of this album depends on clean, defined chords rather than romantic voicing.
  • Consider the contemporary context of these songs when interpreting phrasing and tempo; many tracks are designed to sit comfortably within a dance-floor or club setting.

How to use it

Program individual songs as contemporary selections in recitals, particularly when seeking material that reflects current musical tastes or when building a mixed program that spans multiple eras. The album also works well as a study resource for voice students exploring the craft of modern pop songwriting alongside classical and musical theatre repertoire.

Skills your students will build

  • Reading chord symbols and realizing harmonic accompaniments
  • Sustaining legible vocal tone over rhythmic, groove-based piano accompaniments
  • Interpreting contemporary pop phrasing and rubato within electronic production contexts
  • Coordinating vocal and piano parts with precise rhythmic alignment

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