How Can It Be: Choral Instrumental Pak
As performed by Jason Ingram / As performed by Charles Wesley / As performed by Jeff Johnson / As performed by Paul Mabury / As performed by Lauren Daigle / Arranged by Heather Sorenson
Item: 35-PK00323830
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About the Artist: Jason Ingram
Jason Ingram is a prolific songwriter and worship leader whose compositions have become staples in contemporary Christian music. His gift for writing memorable melodies paired with theologically grounded lyrics has made him a trusted voice in modern worship spaces across denominations.
Why we love this
Heather Sorenson's arrangement transforms this already-compelling worship song into a piece that commands a room without requiring a full orchestra. The optional instrumental parts give you real flexibility: sing it pure and intimate, or layer in the rhythmic forward energy of the original recording.
What to expect
Bold and affirming. The arrangement captures the confident declaration of faith that defines the song, balancing contemporary rhythmic energy with the spacious moments that let the theology breathe. It soars with purpose.
Who it's for
Worship teams, festival choirs, and churches looking for contemporary material with both accessibility and depth. This works equally well for choirs new to rhythmic contemporary styles and ensembles seeking fresh arrangements of well-known songs.
How to get the most out of it
- Establish the groove with your rhythm section before bringing in the choir; the optional orchestration sits best when the foundation is locked in
- Decide early whether you'll use the standalone ending or extend into congregational participation, then rehearse both options so the transition feels intentional
- Let the scripture passages (John 8:10-12, Hebrews 4:16, 1 John 2:1-2) shape the emotional arc; the piece builds theologically as it builds musically
How to use it
Place this as a centerpiece for an Easter service or spring concert, or tuck it into a praise set where you're mixing hymnic material with contemporary worship songs. The congregational ending option makes it ideal for services where you want to invite participation without derailing the flow.
Skills your students will build
- Rhythmic precision in contemporary pop-influenced meters
- Voice independence within a rhythmically driven ensemble texture
- Stylistic flexibility between hymnic and modern worship idioms
- Dynamic control and phrasing at larger structural moments