How Can I Keep From Singing (arr. Matt and Adam Podd) Sheet Music Preview

How Can I Keep From Singing (arr. Matt and Adam Podd): SSA Choral Octavo

Arranged by Adam Podd / Arranged by Matt Podd

Item: 35-DS01159490

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Additional Details
Publisher: Hal Leonard
Page Count: 14
SKU: 35-DS01159490

More about this title

About the Arranger: Adam Podd

Adam Podd

Adam Podd directs music at First Unitarian Church in Brooklyn, where he regularly develops fresh arrangements that blur the line between sacred and secular repertoire. His work has brought him into collaboration with major orchestras including The National Symphony Orchestra and Boston Pops, as well as accomplished soloists like Idina Menzel and Darlene Love, performing in venues from Carnegie Hall to the Kennedy Center.

Adam collaborates extensively with his twin brother Matt on musical projects spanning multiple genres and formats. This arrangement of "How Can I Keep From Singing" reflects his gift for finding arrangements that resonate with contemporary singers while honoring the emotional core of beloved material. More at adampodd.com

Why we love this

The Podds have crafted an SSA arrangement that captures the earnest spirit of this spiritual anthem without sacrificing sophistication. Fourteen pages of music allow genuine development and give your singers room to build momentum, making this feel like a substantial program statement rather than a quick devotional moment.

What to expect

The arrangement honors the meditative, introspective quality of the tune while building emotional intensity through its harmonic language. There's a sense of quiet determination here, as if a group of singers is affirming something they genuinely believe.

Who it's for

This works for adult and upper-level high school choirs seeking repertoire that speaks to values of resilience and conviction. Singers will engage meaningfully with material that feels both spiritually grounded and artistically substantial.

How to get the most out of it

  • Find the natural breath points in longer phrases; this piece benefits from singers who understand where to breathe as part of the musical architecture rather than fighting against extended lines.
  • Balance the harmonic movement between parts by rotating which voices carry the melody or countermelody across different sections, preventing any single line from dominating throughout.
  • Allow space for the text to land, particularly on key phrases. Resist rushing the piece; its power comes from giving singers and listeners time to absorb what the words are saying.

How to use it

Consider placing this as a powerful closing statement at a concert celebrating human resilience, or as the emotional centerpiece in a program exploring songs of faith and conviction across multiple traditions. The piece works equally well as a festival selection where judges respond to authentic musical expression.

Skills your students will build

  • Sustaining long phrases while maintaining forward motion
  • Blend and balance in four-part harmony (SSA/SSAA voicing)
  • Text interpretation and phrase shaping in spiritual idiom
  • Independent voice leading and harmonic awareness

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