How Can I Keep From Singing (arr. Matt and Adam Podd) Sheet Music Preview

How Can I Keep From Singing (arr. Matt and Adam Podd): SATB Choral Octavo

Arranged by Adam Podd / Arranged by Matt Podd

Item: 35-DS00471420

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Additional Details
Publisher: Hal Leonard
Page Count: 21
SKU: 35-DS00471420

More about this title

About the Arranger: Adam Podd

Adam Podd

Adam Podd conducts and arranges music across sacred and secular contexts from his base in Brooklyn. His work has brought him into collaboration with major orchestras including the National Symphony and Boston Pops, as well as with acclaimed soloists and ensembles that have performed at Carnegie Hall, the Kennedy Center, and other prestigious venues. At First Unitarian Church in Brooklyn, where he serves as Music Director, Podd has developed a distinctive approach to choral arranging that finds musical and thematic bridges between worship traditions and contemporary material.

Collaborating frequently with his twin brother Matt, Adam continues to expand his portfolio as composer and arranger while maintaining an active performance schedule as a multi-instrumentalist. His arrangements reflect a deep understanding of what makes music resonate across different congregational and concert settings, balancing accessibility with musical substance.

Why we love this

The Podd brothers have crafted an arrangement that honors the hymn's spiritual core while giving it fresh harmonic and textural life. SATB choirs will find the writing singable yet satisfying, with genuine four-part interest that avoids both oversimplification and unnecessary complexity. It's the kind of arrangement that sounds better the more your singers know it, rewarding both preparation and performance.

What to expect

The arrangement creates moments of quiet dignity and introspection. There's an understated warmth to the voicing, neither overly sentimental nor austere, that allows the hymn's conviction to emerge naturally through carefully considered harmony. Singers report feeling the emotional weight of the text more acutely than in traditional hymn settings.

Who it's for

Choirs seeking a meaningful addition to concert, festival, or worship programming who want something substantial beyond a simple arrangement. This works equally well for university choirs, church music programs, and community ensembles looking to deepen their repertoire with material that connects spiritually without requiring a liturgical context.

How to get the most out of it

  • Pay close attention to the alto line in the harmonic passages; it carries crucial voice leading that defines the arrangement's character. Isolate it in rehearsal if your altos need confidence.
  • Balance the sustained tones against any rhythmic movement happening in other sections. A light hand on dynamics will keep the piece feeling spacious rather than heavy.
  • Let the text breathe. These are words many singers know from memory or church experiences, so give them room to land with intention.
  • If using recorded accompaniment, resist the urge to lock onto it metronomically. The arrangement works best when the choir's phrasing feels organic and conversational.

How to use it

Pair this with secular concert work to close a set on a thoughtful note, or build a program around themes of resilience and conviction that span multiple genres. It also serves well as a centerpiece for interfaith or community concerts where the hymn's universal message resonates across different traditions.

Skills your students will build

  • Voice leading awareness through non-traditional harmonic progression
  • Sustaining legit tone through longer phrase arcs
  • Emotional interpretation of familiar material in new contexts
  • Balance and blend in four-part writing with equal distribution of musical content

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