Housetop Holiday Jam!: Bells Sheet Music Preview

Housetop Holiday Jam!: Bells

Arranged by Tyler S. Grant

Grade: 2

Item: 98-PC-DB1471_B

Digital Download
$7.00
Description
Feature practically every section in the band with this rock-style version of Up on the Housetop, complete with optional drumset. After a brief lyrical opening featuring solo trumpet, drumset and a grooving bass line take over. A fun feature section takes the melody and spreads it out among various sections, each in a different key, while percussion is used to link everything together. A great way to expose students to music written by one of their peers!

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Sample Video
Additional Details
Series: FJH Young Band
Publisher: The FJH Music Company, Inc.
SKU: 98-PC-DB1471_B

More about this title

About the Arranger: Tyler S. Grant

Tyler S. Grant

Tyler S. Grant has established himself as a prolific composer and arranger whose works appear regularly on honor ensemble concert programs and publisher repertoire lists nationwide. His compositions have been recognized through major competitions, including a 2014 win in the Dallas Wind Symphony's Fanfare Competition, and performed at prestigious venues ranging from Carnegie Hall to the Macy's Thanksgiving Day Parade. Grant has completed commissions and new publications annually since 2010, working across concert bands, orchestras, and chamber ensembles at all levels.

Beyond composition, Grant maintains an active schedule as a clinician and conductor, having worked with over 100 school music programs across more than 15 states. He contributed to Alfred Music's Sound Innovations: Ensemble Development series and has shared insights through interviews with School Band & Orchestra Magazine and The Instrumentalist. Grant earned his bachelor's degree in instrumental music education from the University of Alabama, where he studied conducting with Professor Randall Coleman.

Why we love this

This arrangement proves that familiar holiday melodies can serve as vehicles for genuine musical growth rather than novelty items. Grant distributes the arrangement across your full band so every section gets a meaningful moment in the spotlight, each handling the melody in a different key, which builds both confidence and facility with transposition. The rock groove backbone keeps students engaged while the varied orchestration and percussion links create natural teaching moments about texture, key relationships, and ensemble blend.

What to expect

The arrangement opens with a moment of quiet reflection in the solo trumpet line, then shifts gear into an infectious rock groove where the bass line and drumset anchor everything. As different sections trade the melody in fresh keys, there's a sense of building momentum and playful discovery, like watching different parts of the ensemble discover their own voice within a familiar tune.

Who it's for

This piece works beautifully for Grade 2 concert bands that are ready to handle rhythmic independence and basic key relationships but still need straightforward technical demands. It gives students the satisfaction of playing something that sounds professional and energetic without requiring advanced technique, making it ideal for winter concerts or holiday-themed programs where you want full participation and strong student engagement.

How to get the most out of it

  • Balance the opening solo trumpet carefully against the sparse accompaniment so listeners hear the lyrical quality before the energy shifts.
  • When sections enter with the melody in different keys, lock in the rhythmic pulse through the percussion links that connect each phrase; these moments are what make the arrangement work.
  • Establish the drumset groove early in rehearsal as the heartbeat of the piece; once rhythm section players own that pocket, the rest of the band will settle in naturally.
  • Use the feature section passages to highlight individual section sounds; slight dynamic adjustments between sections will showcase each group's tone and articulation.

How to use it

Program this as a concert band centerpiece on a holiday show where you want something energetic and accessible but musically substantial. Pair it with a slower, more traditional holiday arrangement to show contrast, or use it as a set closer that leaves the audience in a lighter mood. It also works well as an early-season piece when you're building ensemble cohesion and want something that rewards rhythmic accuracy and section independence without heavy solo demands.

Skills your students will build

  • Playing melodies in different transposed keys
  • Maintaining a consistent groove while other sections feature different material
  • Balancing solo voices against accompaniment
  • Understanding rock-style rhythm section roles and pocket playing
  • Listening for and responding to sectional entrances and percussion cues

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