House of Untold Horrors Cover Image

House of Untold Horrors: String Orchestra Conductor Score & Parts

$60.00 USD
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House of Untold Horrors Cover Image

House of Untold Horrors: String Orchestra Conductor Score & Parts

for Narration and String Orchestra

By Lauren Bernofsky

Grade: 1

Item: 98-ST6192

$60.00
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Description
One of the most interesting and inventive novelty pieces in years! This work uses narrator to tell the horrific yet comical story of Willoughbus Wallaby and his encounter with a ghostly house and its resident kitty. Using a whirlwind of fun, achievable effects (you will be stunned by the incredible sounds your orchestra will be able to make), this piece is ideal for orchestras with some students who are not yet able to use their bow (or in some cases, don't even know fingerings yet!). In addition, many effects reinforce pedagogical concepts while students have fun. Sure to be one of the highlights of your next program, regardless of what time of year you perform it!

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Additional Details
Series: FJH Beginning Strings
Publisher: The FJH Music Company, Inc.
UPC: 674398225088
SKU: 98-ST6192

More about this title

About the Composer: Lauren Bernofsky

Lauren Bernofsky

Lauren Bernofsky's catalog spans over a hundred compositions across solo, chamber, orchestral, operatic, and ballet forms. Her work consistently balances intellectual rigor with emotional directness, earning recognition from major institutions including the National Flute Association (whose Newly Published Music Competition her Sonatine won) and The American Music Center. Her opera Mooch the Magnificent received the Opera Puppets Award at Boston Metro Opera, and her choral work Prayer of Shantideva was commissioned as the winning entry of the Dalai Lama Composition Contest.

Bernofsky holds degrees from The Hartt School, New England Conservatory, and Boston University, and has taught at the Peabody Institute and Interlochen Center for the Arts. Her commissions span regional symphonies, ballet companies, and specialized ensembles, while her string quartet Anacostia Journal was featured on PBS's NOW with Bill Moyers. Lukas Foss called her "a master composer," and her versatility across genres demonstrates her command of both contemporary and traditional compositional techniques.

Why we love this

This piece knows exactly what it's asking of a beginning string orchestra and builds genuine musical moments around those constraints rather than working around them. The narrative frame transforms extended techniques and pizzicato effects from "things students can do" into essential storytelling tools, so every sound choice feels intentional. You'll find your ensemble genuinely excited about learning bow control and rhythmic precision because the music demands it for comedic timing, not because an exercise requires it.

What to expect

Mischievous and theatrical, with genuine spooky moments balanced by absurdist humor. The orchestral effects create surprising soundscapes that shift from eerie to whimsical, making the piece feel much more sophisticated than the Grade 1 level suggests.

Who it's for

String orchestras with mixed playing levels, especially programs where beginners sit alongside more advanced students. It's also an excellent fit for programs serving young players still developing fundamental bow skills and reading fluency.

How to get the most out of it

  • Map out narrator cues during sectional rehearsals. The story's timing depends on precise instrument entries and cutoffs, so mark every orchestral breath point in the parts and practice those transitions independently before running full sections.
  • Lean into the pizzicato pizzazz. What makes this piece work is clarity and articulation in the plucked passages, so isolate those rhythmic figures and drill them with the same attention you'd give a complex bowed passage.
  • Record a rehearsal performance with narrator early, then use that playback to iron out balance issues. Hearing the piece all the way through reveals what's getting buried and where the story beats need more breathing room.
  • Let beginning players see what the effects create before asking them to execute them perfectly. A five-minute exploration of col legno, harmonics, and bow bouncing demystifies the techniques and makes rehearsals feel less like remedial work.

How to use it

Schedule this for a fall concert where it can anchor a theme around storytelling or spooky fun, or tuck it into an early-season program to showcase how expressively a beginner ensemble can play when the material engages them. It also works beautifully as a lighter moment between more traditional repertoire, giving audiences and students a breather while maintaining musicality.

Skills your students will build

  • Pizzicato articulation and rhythmic precision
  • Bow control techniques (col legno, bouncing, tremolo variations)
  • Following a narrator's pacing while maintaining ensemble togetherness
  • Reading and executing extended techniques from standard notation
  • Dynamic shaping and color changes across simple harmonic progressions

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