House of Music
Words and music by Andy Beck
Item: 00-PO-0007137
Minimum order quantity: 20 copies
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Description
The PerformancePlus+ series is an innovative addition to the ever-expanding MakeMusic Cloud interactive library. These engaging selections are presented with educational resources designed to enrich the rehearsal process and create outstanding performances. Including:
- Assignment, recording, and assessment tools within MakeMusic Cloud
- Part-predominant and accompaniment tracks
- Printable sheet music (with a standard MakeMusic Cloud subscription)
- Correlated rehearsal guides and performance notes
- Rights to perform in a live or virtual setting
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More about this title
About the Composer: Andy Beck

Andy Beck directs choral publications at Alfred Music and has established himself as one of the most widely performed contemporary choral composers, with more than 450 works currently in print. His output spans secular and sacred choral literature, vocal pedagogy resources including Sing at First Sight and Vocalize! 45 Vocal Warm-Ups That Teach Technique, and full-length children's musicals. A tenor vocalist and experienced musical theatre director, he brings a performer's sensibility to every score he writes.
Beyond his work as a publisher and composer, Beck maintains an active presence as a guest conductor, clinician, and adjudicator in schools and honor choirs across the United States and internationally. He holds degrees in music education from Ithaca College and Northwest Missouri State University, and his commitment to music literacy and choral artistry shapes both the pieces he composes and the publications he curates for Alfred Music.
Why we love this
Beck's take on the songs-about-music category sidesteps sentimentality and instead builds something genuinely inventive. The syncopated rhythms and layered vocal writing create real musical substance, while the percussion parts (cowbell, shaker, woodblock) serve as a playful literal extension of the metaphor. It's a piece that directors can teach with genuine artistic conviction while singers genuinely enjoy performing.
What to expect
Energetic and purposeful, like watching something being built in real time. The piece moves with momentum and intention, balancing rhythmic precision with expressive vocal layering. There's lightness and wit in the percussion elements, yet the overall arc feels earnest and celebratory.
Who it's for
SAB choirs seeking contemporary repertoire with real substance and a creative concept that resonates with singers. The accessible three-part voicing welcomes developing ensembles while the syncopated writing and rhythmic complexity keep experienced singers engaged.
How to get the most out of it
- Balance the syncopated rhythms across all three parts by having singers internalize the underlying pulse before layering in syncopation. The PerformancePlus+ accompaniment track can anchor this work during rehearsal.
- Treat the percussion parts as integral voices, not decoration. Assign dedicated singers or use live players to ensure the cowbell, shaker, and woodblock articulations support the rhythmic drive.
- Shape the dynamics dramatically throughout. Beck's score calls for genuine contrast between sections, so resist the urge to settle into a comfortable middle volume. Use the assignment and assessment tools in MakeMusic Cloud to track how well individual sections execute these shifts.
How to use it
Program this as a concert centerpiece or contest selection where you want to showcase contemporary choral composition and rhythmic sophistication. The song's accessible metaphor and engaging arrangement make it ideal for festivals, school concerts, or programs celebrating music and creativity. Its length and style also work well as a showcase for what your middle school or emerging high school ensemble can accomplish with interesting, modern writing.
Skills your students will build
- Reading and performing syncopated rhythms within a metric framework
- Balancing layered vocal textures and maintaining individual line integrity while blending
- Executing dramatic dynamic contrasts across multiple sections
- Coordinating with unpitched percussion parts while maintaining ensemble cohesion
- Performing contemporary choral literature with accurate pitch and rhythmic precision