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Hot Stuff: Marching Band Conductor Score

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Hot Stuff: Marching Band Conductor Score

As Recorded by Donna Summer

Words and music by Peter Bellotte, Harold Faltermeier, and Keith Forsey / arr. Doug Adams

Grade: 2 (Easy)

Item: 00-38532S

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Description
One of the all-time dance-rock favorites is presented in a hot new version by veteran arranger Doug Adams. It's perfect for the stands and a real winner for pep band as well! (1:32)

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Additional Details
Series: Easy Pops for Marching Band
Publisher: Alfred Music
Page Count: 8
ISBN10: 1-4706-6547-6
ISBN13: 978-1-4706-6547-0
UPC: 038081438030
SKU: 00-38532S

More about this title

About the Composer: Peter Bellotte

Peter Bellotte is an Italian composer and producer whose work shaped the disco and dance music landscape of the 1970s and 1980s. His collaborations with Harold Faltermeier and Keith Forsey produced some of the era's most enduring pop hits, songs that remain instantly recognizable across generations and continue to drive energy on dance floors and at sporting events worldwide.

Why we love this

Doug Adams captures the infectious groove and irresistible momentum of this dance-rock classic while keeping the arrangement lean and playable for Grade 2 bands. The score moves fast enough to feel current and exciting, yet every section gets something memorable to play; nobody is sitting on whole notes waiting for the chorus.

What to expect

Pure dance floor energy translated to the field. The arrangement bounces with the unmistakable swagger of 1980s pop while maintaining clean, modern voicing that Grade 2 bands can execute without strain.

Who it's for

Directors looking for crowd-pleasing pep band material that's genuinely fun for players to perform. This works equally well in marching season and works wonderfully for pep rallies, halftime shows, or basketball games where you want immediate audience recognition.

How to get the most out of it

  • Keep the pulse locked in the low brass and battery. This tune lives on its forward momentum, so any dragging or rushing in the rhythm section will immediately flatten the energy.
  • Balance the melodic lines across the ensemble rather than letting one voice dominate. The hook works because multiple players are contributing to it together.
  • Bring out the syncopated hits in the woodwinds; they're what give the arrangement its contemporary feel and keep the crowd engaged.

How to use it

Slot this into a pep band set between more substantial concert pieces, or use it as a closer that sends the crowd out energized. The compact length and high recognition factor make it ideal for pre-game or halftime moments where you want immediate connection with your audience.

Skills your students will build

  • Maintaining steady eighth-note rhythms in a pop/rock context
  • Balancing volume and clarity across syncopated ensemble lines
  • Coordinating articulation in unison passages with the battery

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