Hot Chocolate (from The Polar Express) (arr. John Berry) Sheet Music Preview

Hot Chocolate (from The Polar Express) (arr. John Berry): Jazz Ensemble Conductor Score & Parts

By Glen Ballard and Alan Silvestri / By Glen Ballard / By Alan Silvestri / Arranged by John Berry

Grade: 4

Item: 35-PK00477231

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Description
Here is an up-tempo and entertaining swing chart from the hit movie "The Polar Express." Including crisp ensemble writing with a sprinkling of band vocals, this is a great addition to a holiday concert, or for any time of the year!

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00477231

More about this title

About the Composer: Glen Ballard and Alan Silvestri

Glen Ballard is a legendary songwriter and producer who has crafted hits across pop, rock, and film music. His work on The Polar Express showcases his gift for melodies that feel both contemporary and timeless, making them ideal for student ensembles.

Alan Silvestri is a prolific film composer whose orchestral scores have defined the sound of modern cinema. His ability to balance accessibility with musical sophistication makes his arrangements natural fits for educational settings, where students benefit from playing music that sounds and feels professional.

Why we love this

John Berry's arrangement captures the infectious energy of the original without overwhelming your ensemble. The crisp ensemble writing sits perfectly in the Grade 4 sweet spot, giving students real jazz vocabulary to execute while the optional vocal parts add personality and flexibility to your performance.

What to expect

Bright and propulsive, with the kind of lift that makes audiences smile the moment the first chord hits. The arrangement sparkles with energy while keeping the familiarity of the original melody front and center, creating that perfect balance between novelty and comfort.

Who it's for

This works for jazz ensembles that want holiday material with real swing credentials, or for programs looking to program a film tune that actually swings. Advanced middle school groups and beginning high school jazz bands will find the part writing accessible without feeling simplified.

How to get the most out of it

  • Keep the swing feel grounded in the rhythm section; lock the hi-hat and bass line before adding any other voices.
  • Shape the ensemble hits with precision so they read as confident rather than choppy.
  • If using vocalists, ensure they're comfortable with jazz articulation and phrasing before the first rehearsal.
  • Let the bright character of the melody breathe; avoid dragging the tempo even when sections feel busy.

How to use it

Slot this into a holiday concert as either a closer or a mid-set pick-me-up; its buoyant character works equally well anchoring a themed set or breaking up heavier repertoire. Consider it also for spring pops concerts when you want a tune with immediate appeal and genuine musicianship.

Skills your students will build

  • Swing articulation and phrasing across different sections
  • Ensemble precision in tightly written passages
  • Balancing background figures with featured melodic lines
  • Coordination with optional vocal parts
  • Reading and executing jazz chord symbols and rhythmic notation

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