Horn Concerto No. 4 in E flat K495 (Edition for Horn and Piano) [incl. CD] Cover Image

Horn Concerto No. 4 in E flat K495 (Edition for Horn and Piano) [incl. CD]: Horn & Piano

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Horn Concerto No. 4 in E flat K495 (Edition for Horn and Piano) [incl. CD] Cover Image

Horn Concerto No. 4 in E flat K495 (Edition for Horn and Piano) [incl. CD]: Horn & Piano

Urtext; CD: Orchestral Acc.

By Wolfgang Amadeus Mozart / ed. Andreas Schenck

Item: 98-Q8919

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 1
ISBN10: 0-01-410875-5
ISBN13: 979-0-01-410875-5
SKU: 98-Q8919

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756-1791) was an Austrian composer whose output spanned every major genre of his era. His four horn concertos, written between 1761 and 1786, remain cornerstones of the brass repertoire and showcase his gift for combining technical brilliance with lyrical melody. Mozart understood the horn's capabilities intimately, having written for it across symphonies, concertos, and chamber works throughout his career.

Why we love this

This concerto sits at the exact intersection of technical display and genuine musicality. The E flat tonality lies comfortably for horn while the writing demands secure command of the upper register, making it an ideal choice for advancing students who are ready to prove their independence on a concert stage. The Edition Peters score pairs the horn part with piano reduction, giving teachers flexibility for rehearsal or performance.

What to expect

Elegant and conversational, this concerto invites the soloist into a genuine dialogue with the accompaniment rather than issuing a series of technical demands. The Romantic warmth of the central movement offers respite before the finale returns to brilliant figuration and spirited momentum.

Who it's for

This concerto suits horn students who have solid command of the upper register and are ready to tackle a standard-repertoire solo at the advanced high school or early college level. Solo recitalists and performers preparing audition material will find this a rewarding and musically substantial choice.

How to get the most out of it

  • Shape the opening theme with gentle dynamic shaping rather than strict mezzo-forte; allow the lyrical character to emerge through phrase direction rather than volume changes.
  • Manage the wide intervallic leaps in the first movement by thinking ahead through the phrase rather than reacting to each note individually.
  • Balance technical passagework with the singing quality Mozart expects; rapid scalar passages should move with clarity but never sound rushed or detached.
  • Use the included CD recording as a reference for tempo and style conventions, particularly in the finale where maintaining rhythmic precision alongside musicality is essential.

How to use it

Program this alongside other Classical-era concertos to explore how composers understood the horn's character, or pair it with a Baroque sonata and a Romantic piece to trace the evolution of solo horn writing. It works equally well as a featured item in a student recital or as part of a concert celebrating Mozart's instrumental music.

Skills your students will build

  • Secure intonation in the upper register of the horn
  • Stylistically informed phrasing in Classical solo literature
  • Technical facility with scalar passages and wide intervallic leaps
  • Ensemble listening and balance with piano accompaniment
  • Interpretation of Classical forms and development sections

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